Esam Abjy

A man entrusts Abu Al Makhraz with a huge sum of money and disappears. When Abu Al Makhraz dies, his family finds themselves pitted against his relatives.

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After Marwan and Nada get married, the couple moves into a building full of residents and little peace due to the endless pranks of Sankouh, the rooftop tenant. Each day, the building's neighbors find themselves in a new comedic story.

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The series tells the story of a man who owns a car repair shop but never gets any customers. One day, a woman comes to him, and he learns that she owns a large house where she lives alone, while her son lives at his uncle’s house with his wife. The shop owner becomes greedy and decides to marry her.

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The story of Nassar Ibn Oraibi, a fighter against injustice, that sheds light on the life in the Damascus neighborhood and the role of one woman who becomes responsible for the house and her four daughters in light of her husband's absence during the Hajj.

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A feudal lord and his business manager lead a careless life, squandering huge sums on their debauched lifestyle during their trips to France. As the scope of exploitation expands in front of the business manager, he oppresses the peasants and practices usury, so Zanouba decides to enter a special game with the usurer so that she can bring him down.

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They Asked Me is an entertainment program and contains a variety of useful paragraphs and provides information and facts in a fun and interesting narrative way, presented in the nineties of the last century, which is presented by the distinguished media Sherif Alami, They Asked Me is a well-known and distinctive program in Jordan, ancient and modern, and it has a great herbal "

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A social comedy series starring Mohammed Al-Shammat, Samia Al-Jazairi, Rafi Wahbi, Nizar Abu Hajar, Hossam Eid, Issam Abba Ji and Mohammed Qanou. A Syrian production directed by Imad Seif Al-Din and written by Wafiq Al-Zaim

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In a social drama setting, the series tells the story of a very poor family whose circumstances mysteriously change. New developments unfold for the family as they interact with society and experience personal transformations, especially after they begin to consider themselves part of the wealthy class.

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The Arab world's most beloved rogue is back. In this long-awaited return, Duraid Lahham resurrects his iconic Ghawar Tawasha — this time wrongly accused of murdering his wife and thrown behind bars for decades. Upon his release, he walks into a Syria grappling with the harsh economic realities of the nineties, determined to find his daughter and prove his innocence. Equal parts comedy and drama, it's warm, funny, and quietly heartbreaking — a homecoming worth waiting for.

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When Fardous, Gamil's mother, gets an apartment from a film production company as compensation for mistakenly using her name in a movie, her life changes completely as she becomes a reputable businesswoman and lives with her son and daughter, as well as their spouses, in the apartment.

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The stingy man "Fathi" marries "Su'aad" after the death of his first wife, he rents rooms of his house and has permanent differences between his family members and him due to his stinginess within a comedy mold. The story revolves around a lost bag that roams between several characters in a humorous way, and affects the lives of each of them in a surprising way. The plot depends on the consequences of losing and recovering the case, which creates a range of comedic situations and paradoxical situations that put the characters in sometimes embarrassing situations, and sometimes in funny situations.

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The series revolves around the Arab Revolt that broke out in Syria against the Ottoman occupation that had ruled the country for four centuries.

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The series deals with the life of the simple man, Abu Al-Hana, who is constantly exposed to unenviable situations, and grows when he begins to search for solutions to them, for he is a simple and kind-hearted person, but he has self-confidence that makes his wife Umm al-Khair always obey him, and he is a ninth-degree employee in a government department.

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A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

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Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

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The story revolves around the family of Umm Ahmed Bilalish who lives in one of the old Damascene neighborhoods. When Farhan proposes to marry Samar, her mother reluctantly agrees. The events start taking a comic twist when the family wins the lottery and their social status changes.

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Screenwriter Goes to the hospital for medical examinations, but he heard strange news. This hospital has seven floors, whenever it is moved to the bottom floor, becomes close to death

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Mufid the monster, the naughty teenager, did not find anyone who knew how to deal with him properly, so he did not discover anyone around him and develop the good qualities that Mufid was distinguished for. The society in which he lived, starting from the harsh father at home, to the ignorant and arrogant teacher at school, to the mukhtar who punished him for cutting off the tail of Abboud's donkey... All of these were the cause of Mufid's loss and his premature end. As a result of this treatment, Mufeed could not bear to stay even for a single minute in the farm, so he ran away and decided never to return to this farm that caused him pain and persecuted him.

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A historical comedy series produced in 1993 that talks about one of the famous Arab jokers, Abu Dalama, and tells a number of stories and jokes that took place during the era of

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AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

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Set in the town of Al-Rukniya in the early 1930s, the work explores the conflict between Bedouin and urban communities, the impact of World War II on Syrian politics, the outbreak of the Great Syrian Revolution, and the subsequent withdrawal of the French occupation from the country. The work also highlights the opportunists who continue to spread colonialist ideas, in contrast to the strength and unity of the people as they confront tyranny despite the conspiracies plotted against them.

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The events of the series revolve around Bahloul (Issam Suleiman), a man who constantly relies on others rather than on himself. Circumstances force him to leave his village and move to another. After arriving in this new village, the residents believe that Bahloul is a very brave and powerful man. The villagers are overjoyed at his arrival, hoping he will save them from the wolf that attacks the village and threatens the lives of its people and their livestock.

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Azmi, a legal adviser refuses to sign the budget of the celebration of a project as it's twice what was spent on the project itself. He gets fired from his work, and decides to write a comprehensive report of all the daily atrocities in the hope of presenting it to higher authorities.

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On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.

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With the housing crisis worsening and cement blocks constantly creeping up to swallow old houses with their inhabitants, a jungle of wolves that live in a fierce world lies behind the cement jungle. As a young journalist and his beautiful wife clash with what they think is the wolf of the jungle, it turns out that this wolf is only one of several wolves in a whole jungle of wolves.

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The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

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A newly graduated young doctor has hopes of making his way steadily in his country, or of traveling to another country in order to achieve his dreams. In the village, he wakes up from his rosy dream he lived before he traveled to a harsh reality, after he is accused of murder.

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