Bruno Nuytten

On the island of Porquerolles, Alice spies on Bernard, a man who has returned to France after living in Brazil for some years. The two had once been lovers, and Alice's obsession with Bernard -- which apparently didn't wane during their time apart -- sets in motion a string of events culminating with the aforementioned car crash. Dysfunction abounds.

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Albert dreams of going to Australia. Jérôme loves Jeanne, but ignores her while cramming for exams. An African named Charles writes and is a watchman at night. The American girl, Joann, lives her life in a " bachelor pad. " Love, friendship and chance take them all to a hotel in Bordeaux where, in the course of a weekend, their lonely hearts meet. The weekend is held over to leave time for love.

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The life of Camille Claudel, a French sculptor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.

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In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

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In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.

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In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

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Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.

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Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.

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Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…

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In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

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In the 18th Arrondissement of Paris, Lambert, an aloof garage manager working the night shift at a petrol station spends his time drinking on the job, content in his own company. One night, Bensoussan, a small-time drug pusher in dire straits falls in on a stolen moped pretending to need a spark plug. The two men develop an unlikely friendship.

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In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.

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After his twin sister is killed in an accident, her distraught brother jams her corpse in a cello case and hits the road.

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Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.

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Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.

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A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

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The story of a serial killer but bears little resemblance to a slasher movie. We know almost at once who the killer is and the emphasis is not on the murders but on his psychology as he falls in love with one of his prospective victims - a weakness which, of course, will be his downfall.

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The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

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French Postcards rings both comic and true. The believable, fresh-faced characters are young naives from American colleges spending their French-English dictionaries, they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love. The French tutor them well, as befits their reputation. Jean Rochefort is the harassed headmaster with a hankering for affairs, and Marie-France Pisier is his very sexy wife. Watch for a newcomer named Debra Winger, and another-Mandy Patinkin.

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In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

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Eva is a singer in a Noah's Ark themed nightclub, where the guests wear animal masks. She is approached by a stranger who claims to know her and to remember her singing Mozart.

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Unable to put a single word on paper, a youngish man with one novel to his credit finds that his life is crumbling to ruins around him because of his severe case of writer's block. He tries every remedy known to man and makes up a few new ones in this comedy. All his efforts are futile: he loses his girlfriend and his apartment and has a succession of misadventures until finally, homeless and hospitalized, he rediscovers his inspiration.

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The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.

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At the turn of the century, an unusual woman refuses to become an object to be desired or played with. Instead she wants to succeed on the stage of politics in the Third Republic.

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Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.

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In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

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A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.

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A woman falls in love with the man who killed her former boyfriend.

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Constructed like an animated painting in a single fixed shot where light, voice, music and movements interfere.

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Stages a double persona on a music of Monteverdi (Ariadne’s lamento interpreted by Janet Baker).

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The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

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A dedicated clarinetist receives a valuable violin and has a difficult time deciding what to do with it.

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In 1960, Marc and Philippe are counselors at a summer camp in the French countryside. One night, Marc finds Philippe dressed and made up as a woman, and from now on, he will keep on humiliating Philippe.

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A bus conductor gets dressed for work in the morning, goes to the toilet, where he is killed by a bomb. The Commissioner and his fat, bumbling assistant, Inspector Charbonnier are put on the case. After interviewing friends, wives, colleagues, and spying on strangers who might be connected, our heroes trace the assassin down to a mental institution where, it seems, the murder victim has been an inmate for the last three years...

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In the 1930s, we follow the story of the laundress Berthe who marries the eldest son of a bourgeois family.

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Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.

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