Catherine Rouvel

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

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Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

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In this study of the lust for youth, Michel, a disillusioned cop nearing retirement, becomes obsessed with the body of a beautiful woman he meets on the beach. His search for an unattainable love drives him deeper into darkness.

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Shortly before her wedding, art gallery director Nora travels from Paris to Grenoble to visit her preteen son, Elias, who is spending time with her aging professor father, Louis, recently diagnosed with terminal cancer. During her stay, she reaches out to her former lover, Ismaël, a viola player and father figure to Elias who has been committed against his will to a mental hospital. Ismaël, however, has his own problems to sort out.

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After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.

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Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

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When 12 year old Alex runs away, his grandmother ask her 6 friends for help and follow the kid from Paris to Lisbon.

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The Dossiers of Inspector Lavardin is a French television series in four 90-minute episodes, created by Dominique Roulet and Claude Chabrol and broadcast between September 15, 1988 and February 1, 1990 on TF1. It follows the two films Chicken in Vinegar and Inspector Lavardin directed by Claude Chabrol and already featuring Jean Poiret in the role of Lavardin. This short series depicts the investigations of Inspector Lavardin, a tongue-in-cheek policeman known for his bad manners.

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Jubiabá is a French-Brazilian film based on the homonymous novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

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In Paris , Commissioner Stan Jalard and Inspector Simon Lecache plan to quit the police to go and enjoy a more peaceful life in the West Indies. In a nightclub, during a routine visit, they spot Schneider, a dreaded gangster and public enemy. At the time of his arrest, Simon is killed at close range by the criminal. Stan then decides to stay in the police to avenge Simon. Being the godfather of Christian, Simon's son, who sometimes lives in a boarding school, sometimes at home, he takes charge of his education. Two years later, Stan has been promoted, and he's told that Schneider had resurfaced in the capital. A long hunt begins.

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The action takes place at the turn of the century in a remote village in South America. Drunkard and brutal, a father reigns over a world of women whom he whips. For a long time, he imposed his "macho" law. But he created a flame of hatred in the heart of his eldest daughter, who organized the death of the tyrant...

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While watching the others on her TV screen, Louise becomes a rebellious girl.

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Suresnes, Paris region, April 1970. The Voittins run a baker's shop in their neighborhood. Like the other small traders, they are beginning to be threatened by large-scale retail outlets. Now, their daughter Caroline falls in love with the son of an - industrial baker and soon considers marrying him. As can be expected, things will not follow naturally.

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Adapted from Jules Roy's historical novel of the French presence in North Africa, the TV series follows the destiny of two families, the Bouychous and the Parises, from the conquest of Algiers in 1830 to the Independence in 1962.

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Julien, fifteen-year-old, meets Nathalie, a girl his age whom he falls in love. Soon she is expecting a child. Their parents take the news with reservations. The baby will come and with it, the difficult learning of life.

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French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they promptly conscript the local native population. Issuing them boots and rifles, the French attempt to make "proper" soldiers out of the Africans. A young, idealistic French geographer seems to be the only rational person in the town, and he takes over control of the "war" after several bungles on the part of the others.

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The sweet elderly aunt and her two nieces survive the vendetta killing of their whole family because they are out picking flowers at the time. Undaunted, the aunt, a tough old Corsican, tracks down and kills all but one of the men who wiped out her kinfolk.

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Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis

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Marseille. Heaps of flowers and funeral wreaths... "A man who no longer defends his colors is no longer a man."

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An important drug lord settled in Marseille is suspected of having ordered the killing of an American agent, but it is impossible to impute him due to his political influences, so the dead agent's boss decides to hire the services of a hitman to kill him.

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Two monks come to a small village to lead a simple life but their first act of charity is to try and seduce one of the village women.

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Miniseries adaptation of Gustave Flaubert's novel. Frédéric Moreau, an eighteen-year-old provincial youth, full of dreams and rather attractive, comes to Paris to study. From 1840 to the evening of the coup d'état in 1851, he learns about the world in a society in turmoil. Along the way, he encounters true love and the contingencies of pleasure, the Revolution and its false apostles, art, the power of money and stupidity, the reversibility of beliefs, brotherly friendship, and the inevitability of betrayal, without ever managing to commit himself to any cause other than that of following the loss of his illusions.

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1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.

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It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

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When he gets separated from his unit, Laforet (Roger Van Hool) becomes a de facto deserter during 1939 fighting in the French provinces. Most of the story concerns his love affair with a local farmgirl, as he competes for her affection with a refugee from Spain. When he presses her to make a decision between them, the choice doesn't go in his favor. Soon after this he joins up with the Resistance movement.

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Clochemerle is a 1972 British–West German television comedy based on Gabriel Chevallier's 1934 novel of the same name, with Ray Galton and Alan Simpson adapting the text. Filmed on location in France, it starred Roy Dotrice, Wendy Hiller, Cyril Cusack, Kenneth Griffith, and Cyd Hayman, with narration by Peter Ustinov. In the small French village of Clochemerle, Mayor Barthelemey Piechut plans for the erection of a 'pissoir' (gentlemen's public convenience) in the town square. Unfortunately, the rest of the rural inhabitants aren't as impressed.

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A young couple of burglars, waiting for trial, marry in jail. Annick writes down her observations of the women's ward. When she hears that her lover must serve a twice as long prison sentence, she plans their escape.

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A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.

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One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

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Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.

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An innocent woman falls prey to her abusive husband, his wealthy father and a shady family friend.

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One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

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