Caroline Oulton

In this new documentary, Susan Kemp explores the life and work of the great British director Antonia Bird, who died in 2013. Bird blazed a trail from the radical hotbed of the Royal Court Theatre in the 70s, via the groundbreaking early days of EastEnders and Casualty in the 80s, all the way to Hollywood in the 90s and back again. She always had something urgent to say, but her career was a long struggle to get her voice heard. Featuring many of her close collaborators, including Robert Carlyle, Irvine Welsh, Kate Hardie and Mark Cousins, this documentary is the first to examine Bird’s legacy, and to place her where she belongs – among the most important British film, TV and theatre directors of her era.

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A team of exceptional forensic pathologists and scientists investigate heinous crimes and use their skills to catch the people responsible.

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Ambitious DS Franky Drinkall's life is turned upside down when he is diagnosed with epilepsy. His refusal to accept his condition leads him into a downward spiral and ultimately to his demise. DS Rebecca Bennett gives an ever-present emotional charge as she finds herself the subject of both PC Holder's and DC Allen's affections.

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Crown Prosecutor is a legal drama whose sole season in 1995 ran for ten episodes on BBC One. It was also produced by the BBC, rather than being independently produced and subsequently bought by the Corporation. It featured an ensemble cast of various Crown prosecutors who brought cases before local magistrates in the United Kingdom. Each episode generally featured a primary plot centred on an unfolding court case, along with two subplots that advanced the development of the show's cast of characters. Sometimes, the subplots involved other, typically less serious, court cases—such as vandalism. The subplots often were entirely outside the courtroom and served to reveal different facets of the prosecutor's lives: sticky living arrangements, new romance, old flames, and professional temptation were all featured.

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A story of middle-class professional couples who employ full-time live-in nannies to look after their children. The nannies meet up as a collective group, and often discuss their employers' habits in sordid detail. As the plot develops, it becomes clear that most of the nannies are usually stuck in the middle of domestic unsettlement, affairs, neurotic partners, and manipulation.

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Tracey, a hyperactive, inarticulate bicycle courier who unsuccessfully woos his girlfriend, watches Star Trek videos and delivers packages for a women's erotic magazine, "Bad and Beautiful". As the female staff produce their new issue, they are watched by builders restoring their crumbling office block - each of them with an interest in the women within.

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