Hanna Mohammed

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The series follows the issues of displaced Iraqis and the difficult and harsh conditions they suffer from during their stay in camps, and the appearance of Abu Saad, the antagonist, who affects the escalation of events.

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After the deaths of his parents dealt him a terrible blow, an aspiring boxer decides to channel his frustration toward achieving his dream.

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(Nadia), who was born and raised in (France), returns to (Iraq) to rediscover her roots and origins. During this journey, (Nadia) gradually uncovers the story of her grandfather, Haj (Najm) Al-Baqal, the owner of the date shop, and the man who was one of the prominent leaders of the revolution in (Najaf) against British colonialism in 1918. The film sheds light on the impact that Haj (Najm) Al-Baqal's struggle left on the people of (Najaf).

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The film depicts the biography of King Ghazi, one of the kings of Iraq in the 1930s, who sought to break free from the bonds of British colonization and adopt a nationalist path. This led various parties to attempt his assassination, including the servant Sa'id, who is also disposed of after the assassination. The film also portrays aspects of life in Iraq during the 1930s.

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In a dramatic context, Rahoumi experiences the final moments of his life as his life flashes before his eyes. He reminisces about his wife, who was unable to conceive, and remembers Naja, whom he regarded as his own daughter, and decides to leave her a significant portion of his wealth. However, his sister and her husband strongly object to this decision.

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The tale of the legendary hero Antarah Ibn Shaddad, covering the events of his boyhood and how he grew to be a valiant fighter known for his horsemanship, a figure worthy of inspiring young boys to follow in his footsteps.

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Dr. Rafe' weds his wife after a love story. When routine and boredom start to set in, Rafe' decides to make his wife think that he is seeing someone else to make her jealous. The wife tries to find out why her husband wants to have an affair.

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Hamed is arrested after he starts working in the black market. When he is released, he tries to make amends, but his obsession with money and wealth throws a wrench in his plans, and he gets arrested again.

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Fatima is a rural woman left behind when both her husband and brother depart to fight in the war. Alone, she carries the weight of survival, caring for her elderly father and young son, tending the land and livestock, and traveling long distances to bring water home. Amid the grind of daily hardship, longing consumes her. A horse once ridden and cherished by her husband becomes her sole emotional bridge to the absent men, embodying memory, hope, and endurance. Through it, she waits endlessly for their letters, clinging to reassurance that they are still alive.

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The events revolve around Faiza, an Egyptian girl in her twenties, who makes herself an old woman in order to meet the conditions that were put forward by one of the Kuwaiti families to work as a nanny for the children of the family whose mother died, which the children do not accept at first.

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The parparashop owner

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The film narrates the world of fishermen, where they face greed and exploitation by a figure called "Sabti," who exploits the fishermen and takes everything from them, reaping the profits while they receive nothing. Mahmoud (the leader of the Nu'mani tribe) confronts him, refusing to be exploited, but he soon disappears under mysterious circumstances, leading to the cessation of the struggle.

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In one of the popular neighborhoods in Baghdad, a disaster unfolds as a group of old houses collapses, causing a tragedy among the impoverished residents. A journalist endeavors to uncover the reasons behind this catastrophe. He discovers that Abu Fahad had constructed the house with non-compliant specifications, leading to its collapse. The journalist writes an investigative piece for the newspaper he works for, but the authorities remain unresponsive. He comes to realize that behind Abu Fahad, there is a wealthy and influential figure shielding him from legal accountability.

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