Ahmed Abdelhady

Bekiza al-Darmalli and the daughter of her ex-husband Zaghloul al-Ashmawi are forced to live together in a room on the roof. They meet a mysterious foreigner and they go into chases and get involved in bizarre murders.

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Sharifa is a middle-aged woman whose life is dedicated to managing the textile factory that she inherited from her husband, and looking after her family. But an unpleasant surprise lies waiting when she learns that her daughter is in love with their neighbor who is old enough to be her father.

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The film revolves around Dalal (Laila Elwi), a beautiful young woman who is in a love affair with Salem (Farouk El-Fishawy), but the big businessman Fikry (Salah Zulfikar) is always chasing her and asking her to marry him. When she tries to convince Salem to marry her to escape Fikry's pursuit, he refuses, so she is forced to marry his brother Atwa (Hussein Fahmy). Events unfold, and Atwa discovers his brother and his wife's betrayal, so he tries to take revenge on them, so Dalal runs away to Fikry to seek refuge with him.

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When a simple employee retires and lives with his wife who is different from him in character, and after his children get married, his wife is a controlling person who loves appearances, and he is a simple person who loves joking and modesty. His wife inherits a palace from one of her relatives, and events follow.

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The fugitive Sayed seeks refuge with his uncle who works as a cook for a wealthy family. When the family's daughter gets divorced for the third time, the family enlist Sayed's help to marry her as a mohallel so she could reunite with her husband.

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Journalist Hamdi enters the mental hospital, claiming that he is mentally disturbed to investigate a journalistic precedent by discovering the secret of the killing of a patient, who shows some changes as a result of his integration, but he reaches the killer.

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In the 1940s, the policeman Imam moves to Cairo to work in an area devoted to prostitution. There he falls in love with the prostitute Nusse who works with the bully Jalal without knowing that she is practicing this profession. He is defended by an imam who beats an English soldier who tries to intercept her and assault her. He is tried and dismissed from service, then returns to live in the neighborhood and look for work, and becomes a pimp, a quarrel between him and Jalal al-Fatwa. Each trying to prove his strength and impose his power.

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After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

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The film tells the story of an ex-burglar who is struggling to lead a normal life with his wife and little son. His elder brother pressures him to return to burglary.

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A story based on real events from the Egyptian spy files of an Egyptian intelligence operation against the Israeli Mossad, whose hero was in fact (Ahmed Mohamed Abdel Rahman Al-Hawan)

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A wife is forced to marry a man she does not love, even though there is a love relationship between her and another young man. After several years, the revolution declared this false social situation, as it tries to resist and eliminate it. Here it clashes with the traditions and the laws of the surrounding community.

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