Meirinho Mendes

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where groups working for independence gradually claim their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

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Life at 500 mph... Patrícia, Marta, Yara and Weza are flight attendants who share a close friendship travelling between Portugal and Luanda. Filled with humour, strength and hope, these four friends have each other’s back unconditionally, in their highs and lows. As they’re hitting 30, new concerns come up, which they put off, such as marriage, motherhood and their own careers. When confronted with their first big disappointments in their adult lives, they’ll start to question the way they saw their future play out up until then... And the men in their lives as well... Their odd work hours and the distance that separates them leave little room for them getting together so, when their days off match and their flight schedule permitting, they get together and up to speed with each other. When everything in their lives seems to be decided for them, they’ll end up realizing that each day can turn into a new start after all.

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Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.

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A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the aeroplane, 12-year-old N'Dala decides to leave the group and to reconnoitre the city. The nun then starts her unceasing quest for the missing boy. N'Dala, only carrying a textile bag and a doll made of wire, walks through the busy streets filled with people and traffic. Later he finds the tranquility of the island off the coast, where he meets the old fisherman Antonio, with whom he becomes friends. Not much later, he meets the lively, whimsical Zé, who is a little older than he is. N'Dala starts to experience the city and its inhabitants as increasingly forbidding and he would most like to return to the countryside from whence he came. Then he meets Joka, a fringe figure who persuades him to help with a robbery in exchange for money. With this film, Maria Joao Ganga wanted to provide a realistic sketch of the bitter political situation in Angola. One of her most important motivations ...

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