Nicholas Seymour Stathopoulos

Hermetically sealed and sunk in non-chronological qualities of time, the experience of the wound is always relived torturously, quoting a series of dualities: immobility-movement, inactivity-activity, absence-presence, alienation-proximity, pain-pleasure. Seven long takes represent the wound as something that probably pre-exists and then takes place in an (anti-)erotic situation.

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Summer holidays in Greece. A flirt under the scorched sun pushes two opposite friend groups on a journey of sexual discovery, lust, consent, and complete transformation.

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Two sisters go to their summer home after their mother's death. The "tranquility" of their lives will be disturbed by a group of young people with their caravan and a researcher's account of the creation of the petrified forest.

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There was light and it was brutal. The shadows could not heal. The Boy had fallen into sleep. The Girl was recalling and the sand was everywhere.

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