Anna Thomson

An intimately personal documentary by Amos Kollek that chronicles himself and his family from 2004 to the present.

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Five Hours. Six Countries. Seven Chapters. Eight Conflicts. Nine Women.

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A banker, husband, and father, Mr. Smith must leave it behind him. He's made a mistake and he's trying to pay for it but he doesn't know if there is enough money in the world. Or so he tells Bobby, the eighteen-year-old male hustler Smith employs for company. Bobby quickly learns however, that Smith is no regular John, and their meeting has unintended consequences that neither of them is prepared to afford.

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Being addicted to alcohol, single mother Anna had to give her son to foster parents, but they would "sell" him back if she offers enough money. When she gets to know Pete, the mentally handicapped son of a wealthy author, his father asks her to marry his son for one million dollar.

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How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.

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In 1970s Germany, Léopold, a 50-year-old businessman, picks up and seduces 20-year-old Franz, who swiftly moves into his apartment. The dynamic between them intensifies with the sudden arrival of their ex-girlfriends.

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A young, underappreciated intern at the ultra-hip magazine Skirt must learn to deal with kissy-face phoniness, model tantrums and bulimic editors, while trying to steal the heart of a dashing British art director from the grips of a supermodel.

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Fiona is abandoned at six months of age, raised in foster and adoptive homes, abused, and, still a teen, hustles on the streets of New York. We watch her use heroine, fall in love with other women, be pursued by men, engage in murderous violence, hide out in a crack house, and decide to leave the city. We see her mother, also a streetwalker and drug user, occasionally talk about her lost daughter. Fiona has a necklace she was clutching when a foundling. Will mother and daughter meet? Is there a silver lining?

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Waiting for a lucky break in the movie business, a young Frenchman works as a stringer in New York.

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Harry Odum is a henpecked 18-year-old momma's boy with a violent temper in Youngstown, Ohio. After impressing a local boss of the Jewish Mafia, he begins working as a hit man alongside crack addict Arnie Finklestein.

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An unemployed ex-office worker searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man whom she met in a restaurant and started an affair with is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact.

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When an innocent young girl finds herself befriended by two sexy, uninhibited girls at a small-town bar, she discovers that they have more planned than just a party-and she's central to the action.

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Truman Capote's semi-autobiographical first novel about coming of age in the Deep South during the 1930s centers on 13-year-old Joel Sansom (David Speck), who reunites with his estranged father at the family's shabby plantation, where he must contend with his father's feisty mistress and a strange cousin. Against this less-than-ideal backdrop, Joel slowly matures into an upstanding young man.

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Jeff, a troubled therapist, suffers a breakdown when he spies on his sexy neighbor Ericca, a beautiful model that rollerblades around her apartment in red gloves and a kimono. When he confuses his erotically bizarre patients' most perverse neuroses with his own, the fine line between reality and fantasy erodes with lethal consequences. Darkly comedic, Trouble on the Corner takes you into the depths of one man's decent into madness and races toward the murderous conclusion of this tale of a modern urban nightmare.

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New York 1952. Mickey Jelke inherits a big sum of money and spends his nights in Manhattan, painting the city red. Night after night, he can be found in one Broadway bar or the other, in the company of disreputable persons like pimps and prostitutes. One day,a shady cop, aided by Mickey's own girlfriend, Patricia, decides to accuse him of running a prostitution network. A scandal breaks out.

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At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting

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Ari Rose is a failing actor who cannot distinguish between reality and fantasy. He first dreams about and then meets in real life a mysterious woman named Helen. A seemingly mutual obsession ensues, but gradually spirals downward into a web of desire and misperception.

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The story of Valerie Solanas, a '60s radical who preached misandry in her "SCUM" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he repeatedly ignored her. So she shot him.

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A ten year old girl named Angela leads her six year old sister, Ellie, through various regimens of 'purification' in an attempt to rid themselves of their evil, which she believes to be the cause of their mother's mental illness. Precocious, to say the least, Angela has visions of Lucifer coming to take her and her sister away, and one of her remedies for this is for them to remain within a circle of their dolls and toys until they see a vision of the virgin Mary come to them. But such thinking can only lead to an ending befitting of her own mental state.

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Angus is a large, pathetic 14-year-old whose thoughts are most often filled with the image of only one girl, Melissa Lefevre. Angus is shy and thinks that he has no chance of ever 'getting' her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance with her at the Winter Ball. The only one not surprised is the cool kid who set him up to fail, but Angus' best friend is going to help him win the heart of Melissa by developing a new look for him

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Marcus Burnett is a henpecked family man. Mike Lowrey is a footloose and fancy free ladies' man. Both Miami policemen, they have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.

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Paddy Chayefsky's 1954 play set in the Bronx tells the story of a recently widowed 66-year-old woman who seeks a job after 40 years of being a homemaker.

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Jack is in the midst of a major robbery, which leaves him injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed.

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A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.

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Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

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Exactly one year after young rock guitarist Eric Draven and his fiancée are brutally killed by a ruthless gang of criminals, Draven, watched over by a hypnotic crow, returns from the grave to exact revenge.

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A workaholic cop begins to suspect that his new lover may also be a serial killer.

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Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.

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William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

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A 12-year-old boy comes of age in 1969 Key West against the backdrop of the Apollo moon landing, when he begins to sell cocaine so his mother can stop stripping.

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Charlie Deegan has almost everything he has ever wanted. He has an important law practice, a beautiful secretary as his lover, and the chance to be appointed to the high court. The only thing wrong with this is that his shrewish wife Olivia, whose father made all the wealth and all the power, is living and that greatly upsets Charlie. So when his lover, Laura, suggests that they get rid of Olivia, Charlie thinks, being a lawyer, that he can create a fool-proof plan. In this plan, he must incorporate a woman named Victoria whom he detests, but she can help him get into the court and be part of the plan for Olivia. But dreams of judgeship, money and Laura makes him proceed. However, things never turn out as planned and he may not be as smart as he considers himself.

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This biographical miniseries, based on the best seller by C. David Heymann, starts when Jackie Kennedy was working after college; and spans her life through the Presidency of John F. Kennedy and her marriage to Aristotle Onassis after the assassination of President Kennedy.

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New York City 1988. Raging homophobia. A killer on the loose. Disco dancing till dawn. Performers struggle to survive. Delilah seduces Samson in song. Gender illusionists go shopping. Samson and Delilah, 1991. This tape is an entertaining amalgam of cross-cut scenes featuring New York performance luminaries including John Kelly, Hapi Phace and DANCENOISE. It is a dark vision of an America where life is cheap and even the moments of tenderness have a life threatening edge.

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Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin’s aunt Julia, not related by blood, returns home after many years away and Martin falls for her. Once Pedro finds out about this romance, he starts incorporating details of it into the script of his daily drama series. Soon, Martin and Julia are not only hearing about their fictional selves over the radio, but about what they are going to do next.

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In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?

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A young man, short of money, is persuaided into looking after the business of a local drug dealer for a week or two. Up until then, the guy had been an honest and clean of drugs, but when he spends his days surrounded by riches and drugs, he cannot resist... and neither can his addict wife.

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