Kyle Irion

Every party has a buzz kill.

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A sort-of-narrative film about, as Roland Barthes puts it, face-as-object and, as Plato definitely didn't put it, identity as pharmakon—simultaneously cure and toxin.

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Two friends on their way to a game of kickball find themselves incessantly pressured to join an incompetent satanic cult.

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Two dudes think they found the cure for zombie bites.

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A backyard playhouse hides a deadly secret, forcing a dad and his paranormal obsessed neighbor to battle an evil that’s much deadlier, and much smaller, than they ever imagined.

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