Paula Molina

Marcos and Sofia are two thirty something friends from Barcelona that plans to make a film. But they don't have a penny and everyday life isn't glamorous at all. Marcos falls in love with a mysterious man he saw in the street.

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Set in 1592 and based on a true story, a Spanish nun flees the convent and lives an adventurous life disguised as a man.

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In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

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A young woman abducts a doctor whom she holds responsible for the death of her boyfriend and subjects him to various sexual torture acts.

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It is the disastrous grades at the end of the school year that make several students from different places gather at the school to spend the whole summer studying, in order to make up for the lost course. Naturally, at this school, the last thing the kids are going to do is study, but the mayor of the town wants to demolish the school to build a housing development...

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Some friends struggle for their first jobs.

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A 1983 Italian film.

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A hermit who has had contact with terrorists is planning to kill the Pope by poisoning.

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Miguel, who escaped from prison two months before finishing his sentence, thinks only of revenge and finding his beloved Diana.

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Matías meets his cousin Violeta at the Plaza de la Ópera in Madrid. He is 25. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

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English scholar visits a small Spanish town in the Andalusian mountains to investigate the disappearance of another English scholar long ago. He learns of the legend of Sabina, a mysterious dragon woman who becomes his obsession.

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The action takes place in the 14th century, in times of the reconquest, in the Kingdom of Valencia. Father Vicente is a chaste monk who fights against all kinds of vices and sins, against superstition and against the beliefs of Muslims and Jews. Carles Mira's first feature film was inspired by the great amount of popular imagery that has provoked the supposed miracles of Saint Vicente Ferrer. The repertoire includes anecdotes of grotesque and eschatological character with an eminently esperpento touch.

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