Zdravko Velimirović

Lado Tajovic, a student, is charged by the communist party to go to his home in the Montenegrin Mountains, to illegally spread the liberation movement's propaganda. Alone, surrounded by enemies, always awake and ready to evade traps and ambushes, Lado fights on the verge of sleep, against people which are cowards ready to betrayal. He fights his own temptations, hallucinations that constantly besiege him. Although he perseveres in holding to party directives: no killing and no revenge, Lado at one moment of weakness falls to a primal human act vengeance.

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October 20, 1944, Belgrade was liberated by Red Army and Tito's partisans. But the capital of Yugoslavia is still fraught with danger - retreating aggressor mined the city . A special partisan squad goes into underground maze of tunnels to find and disarm explosives which are still guarded by SS special forces.

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The unexpected death of the insignificant and modest official Krste Krstevski, a tenant and unmarried man all his life, surprises his colleagues and acquaintances. Only then is he able to avenge their petty plots, and it can even be said that his real life begins after his death.

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On a little girl's birthday, her parents' friends come. The received gifts are piled up in her room and most of them are the same. The guests forget the little celebrant and close in the lounge. The dance begins, and the elders play cards. The little one is left alone. Neighbors are disturbed by the noise and ask the caretaker to intervene. He goes to the apartment where he is celebrating. The girl opens the door for him. He invites the good old caretaker to his room to show him the toys. Wanting to beautify her birthday, the caretaker tries to cheer up the little one. With the help of her toys she enters the world of fairy tales. The dolls come to life and the girl happily participates in their game. Time passes, it is already late at night and the girl falls asleep. The caretaker leaves quietly, leaving her in the interior of her room full of toys.

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The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.

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Lake Skadar and all the challenges people who live along its shore must face.

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The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.

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Lake Skadar and all the challenges people who live along its shore must face.

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