Bulle Ogier

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

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Political rivals try to sabotage a new mayor and her eccentric plans for an underprivileged French municipality.

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A detective captain learns that a mummy in an SS uniform has just been discovered, walled up in an old building undergoing renovation in Colmar...

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A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

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Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

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In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews.

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A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.

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Okay, Marie is a little tired of the insouciance of her husband Sam, framework sup unemployed for 2 years. Agree, it is very tempted to be seduced by this beautiful stranger who made him the Court. Okay, there is also the daughter piano competition... If this balance light and crazy about standing, an unexpected event throws the family on an even crazier way.

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When Antoine returns to the island of Noirmoutier, secrets kept in the past resurfaces and threatens to change his family’s present.

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Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

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An intimate portrait of Brigitte Bardot, the great French actress of the 1960s and 1970s who worked with leading directors such as Henri-Georges Clouzot and Jean-Luc Godard. The artist shares her family archives with us.

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Holed up in a small Normandy town, Louise hides from her ghosts as she looks after grumpy old Theo, the retired lighthouse keeper who shares her passion for ornithology. As she wanders the twisted shores, observing birds and people alike, Louise also keeps track of old Florelle, another broken soul who searches the beaches, seemingly waiting for the crashing waves to return something to her. Observing the locals' reactions to Lambert's return, the heir of a family lost at sea, Louise is intrigued by his past but, at the same time, attracted to him. As their relationship deepens, they start to unravel the web of secrets that have haunted the small village for decades. Together, they struggle to uncover the truth that could set them both free.

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A documentary about the making of Luis Bunuel's 1972 film.

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Marc'O, Philippe Garrel, Bulle Ogier, Jackie Raynal and others retrace the life and work of actor, filmmaker, painter and writer Pierre Clémenti.

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Swiss filmmaker Daniel Schmid died on August 5, 2006, and German filmmaker Werner Schroeter on April 12, 2010. They were close friends, and along with Jean Eustache, Rainer Werner Fassbinder and Philippe Garrel were the most innovative filmmakers of the post-New Wave era.

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A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.

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When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

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A man and a woman who loved each other find themselves in a cemetery. He is here to attend the funeral of his grandmother, she let herself be lured by this place without really knowing why. The man's parents, who have come to pour out their reproaches, gravitate around the lovers who desire each other and inevitably get closer. But what did they really experience? And do they still have something to live for?

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Emile is a 70-ish former horticulturalist who once raised bonsai trees "because they don't take up too much room." Indeed, his whole existence is safe and uneventful to a fault, somewhat juiced by friendship with raucous fishing companion Edmond. Still, they trade pleasantries rather than confidences -- so Emile is shocked when it turns out his elderly pal watches porn, paints nudes and shags women who are his contemporaries that he meets online.

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Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals.

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Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?

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Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

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Homemade footage of parties, travel, and everyday life.

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A missed highway exit leads Darry Marzouki, an unemployed magician, to cross paths with Irène Montier Duval, a wealthy woman carrying a Hermès bag full of cash. Out of love, she acted as an intermediary in an arms deal between a French minister and Korea. When the deal was exposed, the minister tried to pin the blame on her. On the run, she offers to pay Darry to drive her to Geneva in his BMW. The problem? The BMW isn’t his—he impulsively stole it from his hot-tempered brother-in-law, who’s out for blood. Unable to accept Irène’s offer, Darry pretends to be an activist heading to a summit in Locarno. Irène, eager for a change, plays along. They have little in common but spend three unforgettable days together—while being chased by Koreans, French intelligence, a minister, and the furious brother-in-law. In the end, one finds love, the other freedom.

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In the Bellinsky family: there is Solomon the father, 80 years old, brimming with life. He is fighting not to be buried too quickly, between tap dance lessons under the high patronage of Fred Astaire and the search for a companion... The mother, Geneviève, dreams of only one thing: quietly continuing her infantilisation, with her household help, protector and guardian angel, Mr Mootoousamy.

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Véra Cabral, an emergency psychiatrist, is called in to help Giselle Leguerche, who has been incarcerated for murder. The inmate, who is about to be released and has no previous history of prison life, commits the irreparable act of murdering a female prison guard and taking an infant hostage. After resolving the situation, Véra Cabral is entrusted with the prisoner's psychiatric expertise. An investigation into Giselle Leguerche's past then begins, leading the psychiatrist down unexpected paths linked to the prisoner's past.

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At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

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38 years after the events in the Luis Buñuel classic Belle de Jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

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As Gentille opens, Fontaine Leglou is walking down a Paris street, and stops to confront a man whom she suspects is following her. She tells him he looks normal, but she's sorry, she doesn't have time to have coffee with him. When he convincingly protests that he was not following her, she apologizes and asks him to have coffee. Fontaine would seem to have a relatively good life. She works as an anesthetist at a fancy mental hospital, and she's got a live-in Nobel Prize-winning arctic scientist boyfriend, Michel, who seems to love her. But there's clearly something nagging at her. She walks around in a perpetually distracted state, and frequently mistakes other peoples' identities and their intentions. When Michel proposes to her, she needs some time to digest it before she responds.

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A gay young man is recruited into an illicit love triangle to watch a much older man’s sexual liaison, but ends up witnessing what turns out to be his murder. The next day the young man's opera diva mother informs him that his estranged father has been in Paris... until the previous night when he was murdered. Seeking help with a psychiatrist, the young man comes across an eccentric actress who has come totally unhinged by the death of that psychiatrist, the infamous Docteur Rey. At first mistaking her for the doctor, the young man embarks on a madcap mystery, reminiscent of an Agatha Christie novel, with Paris as the backdrop.

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Tired of their stressful parisian lifestyle, Caroline and Bertrand decide to start a new life, running a traditional gîte in deepest Provence. It is not long before they start to question the wisdom of this move – the buldings are in a state of near-dilapidation, their friend and supposed partner Sophie has walked out on them, and they are but a stone’s throw from a far more attarctive holiday home, catering for gay men. Will this change be as good as a rest or the start of a nightmare?

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