Marcel Pagnol

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

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The works of Marcel Pagnol are a veritable monument of French cultural heritage. Based on previously unseen archive material, film extracts, novels, plays, interviews and letters, the film pays tribute to the major author and popular filmmaker, who made his life a work and his work a life's project.

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Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.

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The life and works of Marcel Pagnol, shown through the countryside from which he gained his inspiration, and the people he knew.

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In a small village of Haute-Provence, it is an event. The abandoned bakery comes back to life. Aimable and his wife Aurélie bring out the first batch of bread for the happiness of the inhabitants. Among the first customers, Dominique, a young shepherd, does not leave Aurélie indifferent...

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When Panisse dies of old age, his last wish is for 20 year old Césariot to learn about his true parentage. So the boy visits his real father, who fixes cars in Toulon, but he does so under an assumed name.

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Fanny tries to make Marius jealous by flirting with the much older Panisse. Although Marius admits he has strong feelings for her, his first love is the sea.

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Marius has gone to sea and left Fanny, who turns out to be pregnant. When Panisse still remains willing to marry her, she accepts in order to safe face.

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(Hanan) is an attractive and beautiful young girl. She works as a secretary for the singer (Mamdouh). She is attached to Mohsen’s heart and emotionally attached to him. As a result of that connection, she falls victim when she surrenders herself to Mohsen. The result of that connection becomes a pregnancy, and here the situation becomes more serious. Mohsen has to leave Beirut for Brazil. To search for a job opportunity, he must leave the country immediately.

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A mild-mannered schoolteacher gradually abandons all his principles - and finds the success which has always hitherto eluded him.

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Dardamelle does not conceal the fact that his wife has made him a cuckold.How will his fellow townspeople react?

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Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

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Manon has blocked the spring that feeds the village, whose inhabitants she hates. They gradually become aware of the evil they have done to her and try to obtain her forgiveness…

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Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...

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Madame Husson and her circle of holier-than-thou ladies (including an old maid Madame Cadenas)are looking for a chaste and pure girl who will win a hefty sum.

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Franz Schubert retired from Vienna in country for musical writing. He draws his inspiration from a romance with the watermiller's daughter. An operetta in the fifties Vienna style. This is the only movie from Marcel Pagnol in color and the only movie in rouxcolor, a French experimental process derivated from the agfacolor German process.

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Toine, the local hunchback, works at the tile manufacturing plant, but during the summer, he gives a hand to Micoulin, the farmer, thereby being able to spend more time close to Nais, Micoulin's daughter. That summer, the estate owner's son, Frederic Rostaing, decides to rest on the farm during his vacation from Law school. But his real motives are to seduce young Nais, whom he knows from their childhood days, after having seen her in town. Who will win the power struggle between the possessive father, the naive daughter, the vile student and the golden-hearted cripple?

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Pierre and Florence meet at the fair in Paris. They vow eternal love and go to Cassis, under the Southern sun. But Florence has a burdensome past: before meeting Pierre she was a kept woman. Her chivalrous lover, Dominique, chooses to set her free. But Pierre is an uncompromising man and, furious with Florence, threatens to leave her...

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A rural maiden's two suitors go off to war, leaving her pregnant.

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In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

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A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

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In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other, fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

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Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

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Cigalon (Alexandre Arnaudy) manages a restaurant in a small town in Provence. A chef with a high opinion of his past culinary achievements, he makes no effort to attract customers and is rude to those who venture into his establishment expecting to be fed. To Cigalon, gastronomy is the greatest of all the arts, and so he is naturally aghast when a former laundress named Madame Toffi (Marguerite Chabert) opens a restaurant next door to his. Madame Toffi does not share his elevated notions and intends to serve meals to the general public - an appalling prospect! While Cigalon's restaurant remains empty, Madame Toffi's is always busy. To prove he's the better chef, Cigalon must now start catering to the whims of paying customers or be forced out of business.

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"Merlusse" is French schoolboy slang for codfish, and M. Blanchard, a professor at a certain lycée, was known to his victims by that name. On Christmas Eve, when some twenty of the students—orphans, foreigners or just plain "unwanteds"—had to remain in the boarding school, Merlusse is placed in charge. His glass eye glares at them stonily, his good one with no less severity. He sets them to tasks, marches like a proctor up and down the aisles, exacts to the utmost the last measure of discipline. But when the youngsters awake in the morning, there are toys by each bed in the dormitory and M. Blanchard, no longer to be called Merlusse, is exposed for the softhearted fraud he is.

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In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down for good — like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, romance, or enmity, and Toni becomes entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

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A short documentary about the Marseille harbor produced by Marcel Pagnol.

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Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.

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Angèle is a 1934 French drama film directed, produced and written by Marcel Pagnol. It stars Orane Demazis as a naive young woman who is seduced and abandoned. It is based on the novel Un de Baumugnes by Jean Giono.

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The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.

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Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide…

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Under the regime of Louis XVIII. Years after Waterloo, Napoleon's loyal officers live in retirement on half-pay. Useless and idle, they have lost their prestige and keep meeting in the hope of the Emperor’s return. When Napoleon dies, they decide to plot the rise to power of Napoleon II.

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Kid Marc is an upcoming boxer about to become the European Lightweight Champion, only he discovers his surprising victories had been handled by his manager, César Cannebois. This time, he vows to win on his own merits, to show his girlfriend how good he really is - and chiqué is stronger, and he loses in the ring. All glamour gone, everybody abandons him, save for his loyal and loving girlfriend. Régina is going to be his queen.

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A tale of a socially inept schoolmaster who must confront his own principles.

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