Mark Massi

Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.

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The continuing political significance of Silverlake Life is brought into clearer focus. Another friend of Tom Joslin and Mark Massi, Elaine Mayes recorded footage of Mark’s decline after Tom’s death, which is where the original version ends. It’s fitting that Mark’s own life, death, and the loss of his lover are here given the sort of attention afforded Tom’s experiences. It reminds us that AIDS is far from over.

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An extraordinary video diary about living with AIDS documenting, with guts and humor, the love and dedication of longtime companions Tom Joslin and Mark Massi, from the emotional challenge of living with a fatal illness to the frustration of maintaining daily routines,.

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Alba is a mystic who lives in an underground apartment. A plumber named Carlos is visiting her when a disaster causes the building to collapse, trapping both of them.

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A situation comedy about a middle-American wife who by mistake marries the gay best man at her wedding.

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In this experimental, self-ethnographic documentary, Tom Joslin blends breathtaking, moving snapshots from the natural world, filmic cultural touchstones, and cutting (pseudo) cinéma vérité to dissect and reassemble his gay identity despite constant warnings to stay in the closet. Blackstar sees Joslin and partner Mark Massi fleshing out their enduring commitment and obvious love for one another amidst the insecurity that a self-conscious documentary lens instills. As interviews with Joslin’s mother, father, and brothers attempt to break down the legitimacy of Joslin and Massi’s romance, the pair use everything at their disposal, including inspiration from gay revolutionaries and painfully honest conversations, to hold up their ​“abnormality” as a point of pride rather than shame. – Shayna Warner

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An unused excerpt for Blackstar: Autobiography of a Close Friend. No sound copies are known to exist.

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