Suraiya Parvin

Once, the Chakrabortys of Manikpur were a thriving family of 34, united in laughter, meals, and the grand celebration of Raas. In the 90s, Rajat left for Kolkata to chase his ambitions, leaving behind his wife Annapurna and son Somnath. Raised among his cousins, Somnath grew closer to his grandmother than his mother. When he was twelve, Annapurna succumbed to a terminal illness. Rajat, unaware until his return, was consumed by anger and left Manikpur with his son, vowing never to return.

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Atin brings home an enigmatic brass statue of a deity, oblivious to its sinister past. As his obsession grows, only Damri, a mysterious outcast, seems to be able to pacify the Goddess. However, with each offering made, a more malevolent force commences its awakening.

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Loosely based on real incidents in the monsoon of mid 80s during the uprising of naxalites in eastern ghat range a group of travellers travels through the deep forests to reach the rescue camps. A series of mysterious incidents started taking place around them as the place is not what it seems.

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A deeply personal, nonlinear cinematic exploration of love, loss, and solitude. Spanning eight years, it pieces together moments of connection and disconnection, blurring the line between fiction and reality. Without a conventional plot, the film immerses the audience in an introspective experience where emotions take precedence over structured storytelling.

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