Ivo Colonna Olsen

Historically, tango has been associated with machismo, but in recent years, feminism and the LGBTQIA+ movement have been reshaping it and opening up new avenues for expression and inclusion. The solemn charm of classic tango is combined with androgynous bodies, and a new freedom emerges: creative, technical, but above all emotional and linked to gender diversity.

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This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

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Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

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A housemaid, working in an exclusive gated community in the outskirts of Buenos Aires, embarks on a journey of sexual and mental liberation in a nudist swinger-club boarding the high security walls.

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