Tiago Rodrigues

A man lives isolated in his grandmother's country-house in an attempt to recover from a tragic event involving his family. His lonely and silent days are spent with an unnameable hope.

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A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

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A film about General Humberto Delgado's brutal assassination by the Portuguese fascist police in 1965.

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Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.

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Nicholas celebrates his 40th birthday in his country house, with some friends. He has everything he ever wished for, but, on that night, he will end up dead, on his swimming pool. From that moment on, a dead Nicholas wonders how his life would be if he had made a different choice, ten years ago. We then follow two stories: on one hand the police, trying to solve the mystery of Nicholas' death and on the other, Nicholas himself, living a different life. A second life.

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Lúcia is misbegotten, unloved and the eternal widow of her own father. A cry of rage in bodily form, she is mad, maltreated and humbled. She wears mourning in remembrance of her mothers crime and betrayal, and gives vent to her inconsolable pain to make sure theres no rest or respite for the killers of her father. She lives in hope of her brothers return so she can fulfil her promise of avenging her fathers blood.

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