Vadiel Gonzalez Lardued

Set in the 1990s, the series follows the disappearance of a local teenager, Stella, which reopens old wounds for Clémence Rosier, the last CEO of the MTLK factory before it closed down. Her son Benjamin's unsolved death two years prior is now tied to the case, and Clémence is forced to team up with Antonio D’Ambrosio, a factory worker long suspected of being involved in her son’s death. The duo must decode a mysterious book written by the two children, uncovering secrets that threaten to destroy the fragile community.

Open details →

Otto is 26 and has his life together. Or so he thinks. When his first love Boris dumps him and his best friend Lente leaves their beloved Brussels, he is left full of doubts and questions. He decides to fill his heart with fleeting love and searches for his place within the vibrant Brussels queer scene. With his online alter ego in his pocket, he dives into a world full of nocturnal escapades, gay bars and self-discovery.

Open details →

Jojo, a clumsy, goofy young gay squatter, sets out to repair a washing machine in order to satisfy Lucien, the object of his desires. He wanders around Brussels on a frantic quest, ready to take any risk to achieve his goal.

Open details →

Open details →

Sixteen-year-old Clément spends a hot summer evening home alone by the pool. Determined to lose his virginity, he swipes through guys’ profiles on Grindr.

Open details →

Three prisoners are on a leave for a week end. 48 hours to come back down to earth. 48 hours to reconnect with their close friends. 48 hours trying to make up the lost time.

Open details →

One night, Leo, a Spaniard working in Brussels as a subway driver, sees a young man on the edge of the platform, just before he falls onto the tracks.

Open details →

At the close of the eyelashes, emerging beneath awakening and radiance: this is the first glance. In this inner eye runs the dream of a lively youth, girl and boy, a promise. It is the first impulse, so that the first steps may be taken outside: the desire to flee and frolic. Before the foreign eye, animal, human, or divine, there is deep within us the inexorable perception of self, which our own creature always advances, haloed.

Open details →