Önder Çakar

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In 1915, a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night, he learns that his twin daughters may be alive, and goes on a quest to find them.

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The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

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Based on true events, Yolda is the story of Yilmaz Guney, at the time the most celebrated filmmaker in Turkey, and the final years of his life in prison.

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Sidika is the story of Saka family and their young daughter Sidika who live in a poor neighborhood of Istanbul. Sidika was not allowed to go to high school, raised to wait her husband-to-be at her fathers home, not even allowed to leave their house on her own. But she educated herself through books, newspapers and TV. She approaches her life, half-witted older brother, oppressive and alcoholic father and traditionalist mother in a satirical and fun manner along with the current political and sociological events of Turkey and the world. She gazes the world through her window as she hungers for all the intellectual accumulation of the universe.

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Kurds call it Rojava, or the West, the place where the sun sets on Kurdish lands: the north of Syria, the stage of the most violent war of our times, painted in blood by the mass-rape and mass-killings of the ISIS terrorist organization. It is here, in Rojava, in three destroyed cities, that three separate stories tell the story of how savage war destroys not only our cities, but our people, too. Sinjar, Kobanî and Jazaa are three towns that display the most destructive impact of modern war. All three are in the process of being rebuilt at the moment. The people who live here have transformed their tragedies into a determination to leave a better Rojava for future generations.

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A middle class young man rebels against his father’s brutish authority and seeks a rough romance with a woman of ethnic minority. Yuce’s moral tale draws from the example of today’s Turkish youth and the timeless shadow of fathers over sons.

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Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.

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