Otar Iosseliani

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Dedicated to the 80th anniversary of Andrei Tarkovsky. The film uses unique materials related to the years Tarkovsky spent in Italy, personal accounts of friends and professionals, the shooting locations of his films, to what degree his works reflects his personal life. The film brings us closer to the man to whom contemporary filmmaking owes so much.

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When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.

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Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

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Vincent lives in a village, along the Rhône. Every morning he goes to the factory to work, and in the evening he takes care of his family. One day, he decides to go on a trip with the money given by his father.

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Making of Monday Morning from Otar Iosseliani

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Nicholas is the eldest son of a wealthy suburban family, whose businesswoman mother makes deals from a helicopter and has an affair with her business partner. His cheerful, alcoholic father, on the other hand, is reduced to a prisoner in his room with his devoted dog and electric train set. Unbeknownst to his parents, Nicholas works as a window cleaner and dish washer in a Parisian cafe. He is also in love with the daughter of another cafe's owner, who, however, has an abusive boyfriend. One night, Nicholas sneaks a few drunken drifters into his family wine cellar and his father unexpectedly takes a liking to the stranger.

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You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.

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A documentary about the life of Andrei Tarkovsky in exile in Western Europe including Italy, Sweden, Germany and France until his sad demise to a fatal cancer.

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"Before we started work on the film "Les Favoris de la Lune" , I tried to capture on film my first impressions of the city and the people who inhabit it. This etude of Paris, slightly shortened, was shown on television." -- Otar Ioseliani

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The story of VGIK teachers and students about the acting profession.

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A young worker takes a job at a local state run winery only to discover and become disillusioned by the corruption of the Soviet State.

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An Young, inexperiences girl had decided to live in the countryside, but she can't find her place among gloomy, unfriendly locals, Can't manage to do her job well. and decides to return to the city. However, her family thinks that her return would be inappropriate for their traditions.

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A film adaptation of a short story by O. Henry. In a small neighborhood in Greenwich Village, two young artists, Sue and Johnsy, live in a three-story building. Johnsy has contracted pneumonia and is on the verge of death. Outside her window, leaves are falling from the ivy. Johnsy is convinced that as soon as the last leaf falls, she will die. In the same building, on the ground floor, lives the unsuccessful artist Behrman, who year after year dreams of painting a masterpiece but never even attempts to realize his dream. Academic student film work of the Department of Cinematography at Vserossiyskiy gosudarstvyennyy institut kinematografii imyeni S. A. Gerasimova (VGIK).

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A man tries to escape from his wife in order to visit an exhibition, where he sees a painting representing his own house.

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Two old friends have urban adventures connected to the skull of an executed French aristocrat.

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A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.

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When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.

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Vincent lives in a village, along the Rhône. Every morning he goes to the factory to work, and in the evening he takes care of his family. One day, he decides to go on a trip with the money given by his father.

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Nicholas is the eldest son of a wealthy suburban family, whose businesswoman mother makes deals from a helicopter and has an affair with her business partner. His cheerful, alcoholic father, on the other hand, is reduced to a prisoner in his room with his devoted dog and electric train set. Unbeknownst to his parents, Nicholas works as a window cleaner and dish washer in a Parisian cafe. He is also in love with the daughter of another cafe's owner, who, however, has an abusive boyfriend. One night, Nicholas sneaks a few drunken drifters into his family wine cellar and his father unexpectedly takes a liking to the stranger.

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A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same set of actors in all four settings.

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The horrific war in Chechnya, a neighbor of Georgia, gives a special poignancy to Otar Iosseliani’s fascinating, four-hour, made-for-television documentary on Georgia which, like his delightful Chasing Butterflies (SFIFF 1993), was produced in France. Iosseliani presents the history of this former Soviet republic through beautifully interwoven images of landscapes, artwork and clips from other Georgian filmmakers such as Nikoloz Shengalaya and Tenghiz Abuladze. He illuminates the part played recently by two politicians, both KGB men but with very different destinies: Zviad Gamsakhurdia, an ultranationalistic demagogue who died in exile; and Eduard Shevardnadze, who is the president of Georgia today.

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Two old ladies live in a French chateau. When one of them dies, her sister, who lives in Moscow, inherits the property, which soon ends up in the hands of Japanese businessmen.

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Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.

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A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.

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"Before we started work on the film "Les Favoris de la Lune" , I tried to capture on film my first impressions of the city and the people who inhabit it. This etude of Paris, slightly shortened, was shown on television." -- Otar Ioseliani

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In the mountain village comes a group of young musicians in Tbilisi. Here they are going to relax and rehearse. Sad story about the final rupture occurred, the peasants do not sing beautiful old songs, the musicians play music incomprehensible to them ... Far from the idyllic image of rural life.

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Gia is a carefree young percussionist who works at a theater in Tbilisi, capital of Georgia. He lives in a small apartment with his mother. Gia spends his days flitting from friend to friend, lover to lover, avoiding any responsibility, and never staying still for five minutes. However, he always manages to arrive at the theater just in time to play the drums at the end of the ballet.

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Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be.

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Documentary of the Rustavi Metal Works, in the country of Georgia.

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A critique of materialism, the film is about a young couple who live in a rundown empty apartment. Their love is so strong that it makes the water flow and the electricity work, but when they start purchasing furniture and knickknacks, they fight and grow apart.

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