Santiago Amigorena

Rémy and Mélanie live next door to each other in Paris but have never met. The two thirty-year-old Parisians search for connections online, but never have much success. Falling deeper into loneliness and depression, both decide to start attending regular therapy. With the help of their therapists, they uncover the real roots of their issues, and find that the connection they were both searching for is much closer than they thought.

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Poor Gloomy. It’s 1983, and the fact that he’s a zombie makes him an outcast. Hiding out in the forest, Gloomy has his sights on a human girl. But her uncle happens to be one of the most feared zombie-hunters in the land. Set in a surreal universe that owes a debt to the visual stylings of Tim Burton, this awardwinning VR experience pairs surreal animation with a darkly humorous take on zombie-human relations.

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Cast out of his insular community, a damaged and down on his luck man teeters between a life of crime and the path to redemption.

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Jean left his hometown ten years ago. When his father falls ill, he comes back and reunites with his sister Juliette and his brother Jérémie. As seasons go by around their vineyard, they'll have to trust each other again.

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Thomas, a sound engineer in his thirties, lives in a studio apartment with Wyatt, his alcoholic boss. Lost in his music, he lives with the painful memory of a romantic relationship and no longer does what he loves: creating sound portraits. Amina, a cheerful young Moroccan woman, enters his life, seemingly to escape her own. She quickly proves to be the perfect subject for a portrait... To find out who she really is, Thomas will have to take his microphone from the suburbs to Morocco and learn to listen again.

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Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.

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Two lost souls are wandering through the streets of Paris.

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This film brings together in sequence shots men, animals and plants. It is an inventory of the cohabitation of living beings. Man's awareness of being alive among other living beings is diminishing. Gradually, we stopped considering animals and plants as truly alive. These cinematographic haiku tell the story of two snails crossing a road, a baby and a physiotherapist, two ripening tomatoes, a cow, a crying body, field flowers and cities.

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Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.

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1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.

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Antoine lives with his father Gaston. The latter is a voyeur and keeps his son at home through emotional blackmail. Gaston is forced to make a financial agreement with the neighbor across the street, Goran, in order to be able to continue watching Dune, his girlfriend. Antoine meets her and runs away with her.

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"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty, after she becomes involved with a group of petty criminals and their enigmatic leader, Jean. The gang lives hand-to-mouth until the day Jean plans a daring bank robbery. Although other gang members feel out of their league, Jean persuades them to take part and Caty finds herself in a hellish world of betrayal, violence and murder.

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James Faulkner plays Lew Millar, a renowned private eye who is hired by a gangster to be his bodyguard. When Millar arrives at the criminal's French hideaway, the gangster is already dead. Among the people Millar investigates are the gangster's brother, the man's sister-in-law, and their teenage daughter. A judge may also offer insight into the case, as well as Millar's own past.

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Max has two obsessions: filming God and the girls. His first camera, he drowns him at the age of six while trying to film a friend's "dick". The second, he steals it from a Japanese tourist couple. For the third, he seduces the saleswoman who ends up agreeing to undress. Until one day, understanding that the blind are decidedly more gifted than the sighted, she decides to cheat on him ...

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In this comedy, five French students in their early twenties decide it's time they saw a bit more of the world, so Clementine, Caroline, Lionel, Bruno, and Brigitte buy cut-price rail passes and set out to visit 15 of the great cities of Europe. But it doesn't take long for their great plans to unravel, as the group's desire to see the important sights gets sidetracked by their fondness for partying and the opposite sex, and as they roll through Amsterdam, Berlin, Athens, and Bologna, they stumble into a wide variety of misadventures and meet all manner of unlikely people, from a former teacher who has come rather dramatically out of the closet to a washed-up dance-pop star.

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An executive and a dowdy working-class woman, both unemployed, married and parents meet at a supermarket. They become friends but find it hard to accept that they may be in love with each other.

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Arthur is invited to a New Year's Eve party to celebrate the year 2000. His girlfriend Lucie would like a baby from him but he refuses. Through the ceiling of the toilets, he discovers a passage leading to this futurist Paris. There, he meets an old man Ako who affirms he is his son and that he wants to exist. Otherwise he will vanish into the air. Arthur is still hesitant because his life is an unfulfilled one: a has a little lucrative job, is uncertain about his future and things are getting out of hand when Ako discovers the passage and interferes in the party.

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As she approaches 30, Anne Buridan becomes anxious over what she has so far managed to make of her life. She decides the time has come to sort out her head and unravel the muddle that has resulted from her desires, her dreams and her work for Radio Ultime, a radio station she has founded with her closest friends. To that end, she attaches a sensor to her forehead and sets to work...

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The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

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This comedy is about a Métro worker, Jules, who penned seventeen unanswered letters to France's Minister of Transportation protesting being fired. When he learns that the Minister is to appear in person at the Lyons station to dedicate a new rail line, Jules is there hoping to speak with him in person; he carries a concealed gun and when he is unable to speak to the Minister, the normally mild Jules snaps and takes an entire train car hostage

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The end of an affair from the woman's point of view.

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The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.

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Kini and Adams are two friends leaving in a Zimbabwe village who dream of repairing an old broken car, and moving to the city and starting life over.

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The film traces the destiny of Kapila, an outcast child who had been deemed by his fellow villagers to have supernatural powers of destruction, because of the timing of his solar eclipse birth.

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Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?

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Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...

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The only surviving accomplice of a gas station robbery gone bad, Samba Traoré flees the scene with a suitcase full of cash. However, his newfound happiness is put to the test as he struggles to cope with the moral crisis of his crimes.

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Evocation of the life of the journalist Jean Galmot, adventurer, who established himself as a gold digger in Guyana in 1906. Madly in love with this country, he will die for having wanted to give dignity and freedom to the Guyanese people.

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