Juanita Anderson

Visual artist/muralist, Sydney G. James, draws inspiration from her hometown of Detroit as she addresses the status of Black women in society, police brutality, family and community through bold brushstrokes and hues that evoke the complexities of Black reality, joy, pain, and resilience.

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Visual artist/muralist, Sydney G. James, draws inspiration from her hometown of Detroit as she addresses the status of Black women in society, police brutality, family and community through bold brushstrokes and hues that evoke the complexities of Black reality, joy, pain, and resilience.

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This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.

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