Lee Jong-su

In search of an ecological life, Nata leaves Jeju for Jangsu and begins building a house with natural materials. After a ritual blessing the new life, plans slowly unravel. Later, with a partner, Nata tries communal living in Haenam, but it too proves unfit. Rather than regret these unfinished attempts, Nata finds a quiet sense of completion in their beginnings.

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Dear you, unrelated is a contemporary project that dares to believe in the potential of fiction. Directors Lee Mi-rang and Lee Jong-su attempt to imaginatively restore the lost ending of The Widow. In The Widow: Rewoven, Lee Mi-rang reimagines the protagonist Shinja making a radically different decision from the original. Her film captures the inner turmoil and determination of a woman once dismissed as an Après-girl, tracing her hesitant yet resolute steps toward a new path. In Bearer of Dawn, Lee Jong-su presents a fictional scenario in which Shinja seeks revenge by finding a blacksmith. A newly added sequence in which she chooses a sword shifts the film's tone from drama into one infused with the suspense of a thriller.

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Jinhyeon, a social worker, learns that Yeongjin, a social service personnel in his charge, has been kicked out of his house and is living on the streets, so he allows him to stay at his house. Meanwhile, Sunrye, an elderly woman who visits the welfare center, complains to Jinhyeon too often.

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Inserts depicts the story of a man and woman who meet on a film set and are drawn to each other; the narratives are expressed through unexpected situations, witty dialogue, and quirky rhythm.

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In the Joseon Dynasty period, the kingdom was enveloped in a political maelstrom. Cheo Seon was born as a posthumous child and separated from his mother immediately. When he meets So Hwa, the daughter of a powerful noble, he falls in love with her immediately. He voluntarily becomes a eunuch to be close to So Hwa. Entering the royal palace, he sees King Sung Jong and So Hwa spend their first night together. He becomes So Hwa's loyal protector. As the political battles rage on among the courtesans and wives in the palace, So Hwa is chosen by the king to be his queen and Cheo Seon vows to be her loyal servant. But So Hwa is eventually dethroned as the queen and leaves the palace in disgrace. Cheo Seon helplessly watches these events unfold and he secretly helps So Hwa. But in a cruel twist of fate, he is the one chosen to execute So Hwa's death sentence by serving her a bowlful of poison. After So Hwa dies, he looks after her son King Yeon San as if he were his own son.

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A drama depicting the life of Jang Hee Bin, who raised up as a royal concubine in the midst of political struggle during the reign of King Sukjong (Joseon).

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In search of an ecological life, Nata leaves Jeju for Jangsu and begins building a house with natural materials. After a ritual blessing the new life, plans slowly unravel. Later, with a partner, Nata tries communal living in Haenam, but it too proves unfit. Rather than regret these unfinished attempts, Nata finds a quiet sense of completion in their beginnings.

Open details →

Dear you, unrelated is a contemporary project that dares to believe in the potential of fiction. Directors Lee Mi-rang and Lee Jong-su attempt to imaginatively restore the lost ending of The Widow. In The Widow: Rewoven, Lee Mi-rang reimagines the protagonist Shinja making a radically different decision from the original. Her film captures the inner turmoil and determination of a woman once dismissed as an Après-girl, tracing her hesitant yet resolute steps toward a new path. In Bearer of Dawn, Lee Jong-su presents a fictional scenario in which Shinja seeks revenge by finding a blacksmith. A newly added sequence in which she chooses a sword shifts the film's tone from drama into one infused with the suspense of a thriller.

Open details →

Jinhyeon, a social worker, learns that Yeongjin, a social service personnel in his charge, has been kicked out of his house and is living on the streets, so he allows him to stay at his house. Meanwhile, Sunrye, an elderly woman who visits the welfare center, complains to Jinhyeon too often.

Open details →

Inserts depicts the story of a man and woman who meet on a film set and are drawn to each other; the narratives are expressed through unexpected situations, witty dialogue, and quirky rhythm.

Open details →