Anna Brüggemann

Florian and Marie want to spend a cozy evening on the sofa watching a movie. But that's more difficult than expected: the couple navigate through a digital world full of streaming portals, voucher codes, delivery service apps and broken remote controls and keep tripping over themselves in the process.

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Georg, a professional improviser, wants the best for his epileptic child—and he finds it in a chic daycare center in Leipzig. He can't admit that he's unemployed and his wife works as a cleaning lady. With a doctored biography and rusty charm, he fakes his way into the hip parenthood scene as a supposed event manager, organizing flea markets, barbecuing, smoking weed, and taking over the cash register. The fact that there is almost half a million euros in it is initially a "gift" that Georg soon uses to treat himself to a lavish lifestyle without anyone noticing – and to become more and more like the hip parents. But as he juggles credit cards, his shady dealings increasingly begin to turn against him.

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Newspaper journalist Katja drinks too much. When she becomes abusive at an in-office birthday party while drunk, her boss gives her an ultimatum: sober up and deliver an excellent report on alcohol abuse, or be fired. Katja resigns, but soon begins researching and conducting interviews with doctors and alcoholics.

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Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

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Singer-songwriter Mat’s relatively normal life implodes when his depression takes the form of Monika, a woman that only he can see and hear – and whose sole purpose is to make his reality worse.

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After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

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German independent film about a man who's obsessed with a mysterious shadow in his new apartment that begins to consume his life.

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The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.

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To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.

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Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.

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With its expert and attractive crime squad run by these two, Barcelona can be proud of its homicide team: Xavi, independent, impulsive, enigmatic, with a well-functioning network of contacts on the city‘s dark side; and his charming partner Fina, a single mother and self-confident beauty. They‘re never far behind the plotters and schemers who prefer to do their dark dealings after sunset. Their cases take them throughout the Catalan metropolis – out to its suburbs and deep into the heart of the medieval city. With puzzling mysteries waiting to be solved, Xavi and Fina have lots to do before crimes are mercilessly stopped.

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In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.

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After German reunification, the neo-Nazi National Socialist Underground begins a killing spree while cops fight an uphill battle to catch them.

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A dark cloud is creeping over Berlin. As the citizens go about their daily activities, Kore is haunted by a black shadow – a menacing memory from the past. Meanwhile, a full-grown bear escapes from its cage, throwing the whole city into a panic. There is no way out – Kore must face her worst fear.

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A murder in a Berlin zoo puts a policewoman on the trail of a mysterious series of murders that claimed the lives of several men in a Brandenburg village 20 years earlier. Based on Elisabeth Herrmann's novel of the same name, the film tells the story of a crime whose causes reach far back into the past and whose investigation could cost the investigator her future.

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An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

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Pastor Stefan Book once again has his hands full in his parish in St. Pauli: he has only just managed to talk the mentally distressed sexton Eddi out of attempting suicide when he learns that 16-year-old confirmation student Paloma and her boyfriend Winni, who is the same age, are expecting a child. As Paloma is still living with her alcoholic mother, the youth welfare office would prefer to give the baby to foster parents as soon as it is born. But Pastor Book fights to ensure that the two teenagers can take responsibility for their child despite the adverse circumstances.

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Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...

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Student Philip grew up with his grandma, now he has to look after her: Dementia! Philip moves Grandma into his shared flat. His friends play along, Grandma blossoms - at first... Complex characters, the courage to face uncomfortable truths: The drama portrays the problems of people with dementia and their relatives sensitively and honestly.

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Neo Magazin Royale is a satirical late night show hosted by Jan Böhmermann.

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Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

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Once upon a time there was a orphan. The new stepmother and her daughter, Annabella, treat her badly and let her sleep in the ashes. One morning, in the woods, Cinderella meets a hunter who turns out to be Prince Victor.

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Summer 1780: On the way to Salzburg Emanuel Schikaneder's theatre group gets held up in a small mountain village on the Austrian border due to a missing performance permit. In this village a dispute between mine owner Paccoli and the rebelling mine workers is escalating. The situation immediately inspires Schikaneder with the idea for a new play- but before long not only the mineworkers, but also Schikaneder's performers take to the picket line. This is because Schikaneder seems to care more about spending time with high society than his actors, who the Landlord refuses to feed until Schikaneder pays the outstanding bill. A hastily put together open air performance by the troupe leads to major disruption....

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A queer trans-ethnic movie kiss leads to considerable turmoil.

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An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

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Four stories dealing with the dialectics of enlightenment, with the randomness of love, birth and death. Aleks participates in an experiment facing civil war in former Yugoslavia. Sarah tries to escape loneliness by investigating a murder. Bastian has to deal with his father's decision to die. Anna dances with a foreign man. How destructive is the unlimited search for insight? Should one lie in order to protect a loved one, who'll be destroyed by truth?

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Die Bergwacht is a German mountain rescue television series, broadcast since 26 November, 2009 on ZDF.

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The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

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Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

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In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.

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Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...

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Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

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