Arin Bunchan

I see moving images woven through light, images of myself, my experiences, and moments from my life that I can still remember. Passing through dreams as a montage, these images are projected onto the body of an old man sleeping in solitude. A personal video piece derived from a fragment of the projected imagery in myself, elsewhere (2025), this work contemplates the self through this fragment...

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Documentary footage capturing a real event of a film student who has just begun hurriedly editing his thesis before the faculty’s screening deadline. Everything seems to be going well, until he realizes that… a crucial audio file for his work has gone missing.

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In a quiet bedroom, beneath the blanket, two men begin to talk about their fear of a ghost that haunts them, leading to an unexpected space of conversation.

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A recording of a live performance by a group of film students at the final stage of their studies, in which they attempt to simulate the emotions experienced after screening their thesis film, reflecting on their final work submitted to the faculty.

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The catastrophic chaos of final-year film students desperately trying to finish their thesis project, only for the editor to lose the entire freaking file.

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An image of me at twenty-two, lying with open eyes beneath flickering lawn lights — quiet, alone.

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Our Conversation in the Afternoon at the Park

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It all starts with him having to pitch a product to a client. The product is glasses. This turns into an action film where martial arts warriors battle it out, with the glasses serving as a game-changing power in the fight.

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The Writer and the Rememberer, together they wander through a mostly deserted buildings, searching for something they barely know they lack.

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On a lonely night, Aaron, a guy with a heart as empty as his fridge, desperately craved a taste of true love. So, naturally, he turned to Fast Food Jesus for help. Fate (or maybe just greasy miracles) led him to cross paths with a mysterious woman, as stunning as the dream love he’d been binge-watching in his head.

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Two men are arguing whether what they see is fog or smoke.

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I find myself looking back at memories of the past, where the feelings I hold now have become nothing more than fragments of memory. Everything begins to overlap – who I am now and who I was then. As I walk through the forest, the voice of my past echoes faintly, just fragments lingering in the air...

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A man embarks on a journey to discover his identity, navigating through overlapping realms of surreal dreams.

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Kua, a film student who shares his experiences, reasons, and ways of thinking that shaped his love for cinema, as well as what cinema has brought into his life, told through the eyes of Aaron, his close friend and future cinematographer.

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Kua lost "P'Tum," a film history teacher whom he loved and respected. He goes to the same classroom to recall the memories with P'Tum.

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Our Conversation Through Video Call, Leading Her into the Realm of "Force"

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Tomorrow, a man will direct his first feature film, but, that night, something happens.

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Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

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Memory and Dreams is a hybrid documentary video essay and a personal record of memory, built around Kua’s recollection of a dream in which his grandmother appeared to him before she peacefully passed away. This record is woven from moving images and audio recordings made with his grandmother, both before and after her passing.

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An ordinary slice of life from young country students, Mew and Boat.

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I see moving images woven through light, images of myself, my experiences, and moments from my life that I can still remember. Passing through dreams as a montage, these images are projected onto the body of an old man sleeping in solitude. A personal video piece derived from a fragment of the projected imagery in myself, elsewhere (2025), this work contemplates the self through this fragment...

Open details →

In a quiet bedroom, beneath the blanket, two men begin to talk about their fear of a ghost that haunts them, leading to an unexpected space of conversation.

Open details →

A recording of a live performance by a group of film students at the final stage of their studies, in which they attempt to simulate the emotions experienced after screening their thesis film, reflecting on their final work submitted to the faculty.

Open details →

A moving image captured by the director in 2025 depicts a late afternoon at a Catholic school in Thailand, as children leave for the day, mingling with teachers and parents waiting to pick them up. At a stone bench, two brothers, JAVA and JINO, are seen chatting, the elder being a friend of the director. The footage, originally shot on the director’s mobile phone, was later transformed to evoke the style of a silent film: the visuals were toned to resemble aged black-and-white film and accompanied by music from City Lights (1931) by Charlie Chaplin, enhancing the atmosphere reminiscent of the silent cinema’s final years in the early 1930s.

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An image of me at twenty-two, lying with open eyes beneath flickering lawn lights — quiet, alone.

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A short story in three parts—verbally contemplating on the death of an insignificant person—riddled with self loathing of both the living, and the dead. For death is a bitter tasting joke with no set-up; only a shocking punchline leaving those who remain with the unbearable weight of grief and longing.

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A man lies asleep on a bed. A gust of wind. A rumbling. He walks around, taking photographs. Messages from both his dreams, and mine, where we are haunted by people in student uniform.

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On a lonely night, Aaron, a guy with a heart as empty as his fridge, desperately craved a taste of true love. So, naturally, he turned to Fast Food Jesus for help. Fate (or maybe just greasy miracles) led him to cross paths with a mysterious woman, as stunning as the dream love he’d been binge-watching in his head.

Open details →

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I find myself looking back at memories of the past, where the feelings I hold now have become nothing more than fragments of memory. Everything begins to overlap – who I am now and who I was then. As I walk through the forest, the voice of my past echoes faintly, just fragments lingering in the air...

Open details →

A man embarks on a journey to discover his identity, navigating through overlapping realms of surreal dreams.

Open details →

Kua lost "P'Tum," a film history teacher whom he loved and respected. He goes to the same classroom to recall the memories with P'Tum.

Open details →

An obsessive finger-snapping office worker begins to encounter strange behaviors from those around him, which escalate over time. Meanwhile, black liquid starts to seep across his body.

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A college student's abrupt awakening in the dead of night leads him to a mysterious corridor, causing a sudden nosebleed and an encounter with a shadowy figure silently watching him. But this wasn’t the first time it had happened.

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Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

Open details →

Memory and Dreams is a hybrid documentary video essay and a personal record of memory, built around Kua’s recollection of a dream in which his grandmother appeared to him before she peacefully passed away. This record is woven from moving images and audio recordings made with his grandmother, both before and after her passing.

Open details →