Yuliya Mavrina

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This film presents a contemporary view on modern Russian upper-class youth. The film genre is a social drama. The main five characters of the movie are financially secured and socially successful - producing, managing and hosting a popular TV show. They are beautiful, happy and satisfied with their lives. They are good friends to each other and the others. The glass world they surrounded themselves by is full of love and smiles... Until one day something happens to the leading character and suddenly they all face the real world. The glass shatters. Their lives are changed forever. They will never be the same

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Veronika, the heroine of our story, is married to Viktor Arzaus, an investigator at the Prosecutor's Office. To the outside world, the couple appear to be happy, however, Veronika knows that her 7-year marriage is a sham. She doesn't love her husband, and when a chance meeting with Kirill Filin whose illegal activities are being investigated by Viktor, awakens her passion, Veronika is forced to choose between listening to the voice of reason and following her heart.

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In the "Little Tragedies", the main universal, eternal conflicts receive a specific interpretation: things, ideas and people collide. This is a "shifted" world, everything is at a breaking point here: the immobile moves, love triumphs on coffins, a subtle aesthetic sense leads to murder, and feasts turn out to be feasts of death.

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Having caught his wife in bed with her lover, Stanislav leaves home. He changes his life dramatically. Stanislav, having taken a job as a security guard in the country house of a rich and lonely lady, constantly quarrels with the young gardener Sveta. But the hostess still doesn’t doesn't appear. Soon Stanislav realizes that this is love, and the mistress of the situation is Sveta.

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The movie takes place at a charity event at a country house during which a series of people try to talk an oligarch into giving money for a project. Masha, a young attractive woman, has been invited as a possible lure for the oligarch, and she has brought with her a casual acquaintance, Nick, a Russian living in the United States, who films the party for a documentary project. Later, he shows the footage to his producer Kate.

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Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.

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The king struggles to find a wife for his son, who is solely interested in science. An astrologer advises the king to host a grand royal ball. Cinderella, eager to attend, is forced by her stepmother and stepsisters to make dresses for them. Once the dresses are ready, they leave her behind with additional chores. However, her fairy godmother appears and helps her get to the ball, with one condition: she must return by midnight. At the ball, Cinderella meets the prince, who instantly falls in love with her. They dance and enjoy the evening until the clock strikes twelve, and Cinderella flees, leaving behind a glass slipper.

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Charming young Olga marries a successful businessman. It is surrounded by luxury and well-being. A wealthy husband is ready to fulfill any whim of a beautiful wife. Olga is an airy woman who is fond of doing herbariums, sewing dolls, reciting poems to servants and loves her oligarch husband very much.

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