Gerhart Hauptmann

The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary scenes aspects of physical hygiene, gymnastics, sports and dancing as well as scenes in which supposed sportsmen of antiquity pose naked.

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TV adaptation of Michael Thalheimer's production at the Deutsches Theater Berlin.

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The emaciated weavers deliver their homework to the factory owner Dreißiger and receive their wages, on which they cannot live and cannot die. Driven by hunger, they ask for more money, but to no avail. Only the young baker and the reservist Jäger put up a fight, and both manage to encourage a large group of weavers to revolt against the factory owner. They break into his house and destroy it, whereupon he flees. The revolt continues, the weavers move through the surrounding villages, where more people join them. A little later, the military arrives to intervene against the angry crowd and restore the old order...

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A young domestic worker on a farm is used and abused by the men in her life.

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Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.

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