Damir Ibrahimović

A documentary about Sarajevo’s preeminent Yugoslav-era businessman and mayor, Emerik Blum, and the inner workings of his engineering company, Energoinvest.

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A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.

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Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

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The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

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Causes and consequences of the assassination that happened in Sarajevo a hundred years ago still continue to reverberate in Europe. On June 28, 1914 Gavrilo Princip assassinated the heir to the throne of the Austro-Hungarian Empire Franz Ferdinand sparking World War I that marked the start of the 20th century. As Sarajevo commemorated the centennial of the assassination, different people had different interpretations of what happened in the city a century ago and different emotions about it. ONE DAY IN SARAJEVO tells about various perspectives of the anniversary in Sarajevo combining and contrasting footage filmed by citizens of Sarajevo (with small cameras and mobile phones) with scenes from feature films about the assassination by directors from Austria, Bosnia-Herzegovina and the United Kingdom

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A pregnant French woman lives in Sarajevo with her Bosnian husband and their daughter. They vacation at a Croatian island, where things get complicated when they all become attracted to a beautiful woman.

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Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

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Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

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A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

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Six young filmmakers from Central and East Europe developed shorts about the theme of 'generation'.

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When Bosnian-Serb forces began shelling Sarajevo in 1992, an officer of the Bosnian-Herzegovinian army made an appeal to all inhabitants of the city with video cameras to "start filming, because their material would definitely influence events." Whether prompted by this call or not, many of those who possessed a camera attempted to capture the atmosphere of the besieged city, resulting in this extraordinary film. At once engaging, horrifying and funny, these "home movies" provide a stark testimony of the courageous spirit of a people under siege, trying to live "normal" lives against all odds.

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In the immediate aftermath of the fall of Srebrenica in 1995, Aida, receiving word that her sons who were taken by Serbian forces may be alive and held in a camp, launches a desperate search through a refugee center crowded with thousands of displaced women. As hope collides with silence, the women come to the realization that no outside help is coming unless they help themselves. Led by Aida, they confront the injustice and deceptions of a political system built on backroom deals with war criminals.

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