Rouhi Savoji

Maryam is in charge of a large family, The family house is about to be auctioned due to delay in paying the bank installments. Maryam, who is suffering from poverty, at the opportunity she finds, steals a lot of money from a company’s member. This film is one of the few films in Iranian cinema before the revolution in which the protagonist, writer, and director are women. However, the film was banned that year and was released in 1980.

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After escaping her former job, Mohtaram tries to find a proper job to live on with all the problems waiting on her way.

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Manouchehr and Ahmad are the creators of advertising teasers and do not come home some nights. Their wives, who are suspicious of their husbands, pretend to be two foreign actresses and go to the advertising agency and ask to play in commercials.

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Reza and his mother Mah Banu, have a good and near relationship with Hossein family known as Khan Baba. Reza spends his time with Changiz, the son of Hossein family, and is interested in his sister, Mino.

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In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to sleep with him. But Ghasem doesn't have a place of his own and the girl is about to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away....

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Khalil and his sister’s fiancé, Sadegh, are caught by the gendarmes while delivering smuggled goods. They flee and take refuge in the hut of a gypsy girl named Salome. Khalil leaves the follow-up of the deal to Sadegh. However, Sadegh secretly informs the gendarmes by phone about Khalil’s hiding place and then uses the money from selling the smuggled goods to open a café for himself...

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