Erika von Thellmann

Various interwoven stories about women of different ages and life situations, each dealing with encounters, relationships, and expectations of love and life paths. The focus is on female characters who, each in their own way, are at a crossroads in their lives: whether through a surprising acquaintance, a disturbing announcement, a new romance, or an encounter with a mysterious gentleman who challenges old certainties.

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Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

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Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

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In the pre-Civil War South, a sadistic plantation owner brutalizes his slaves to the point of rebellion. Always obedient, peaceful and honest old slave Tom plays a central role in this tragedy.

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The young Marion is arrested by the police for pimping, prostitution and indecent exposure. Reporter Axel Rottmann sense a lucrative story for his newspaper. He makes a deal with Marion, to tell her story.

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A music comedy by Franz Marischka.

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Cliff is down on his luck when he decides to become a gangster. In order to get rich and impress his girlfriend he befriends two crooks and begins to plan a heist that involves setting up a fake film company.

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When the First World War breaks out in 1914, Josef Schwejk, a naive dog dealer in Prague, joins the Imperial Army.

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Heralded racing driver Pierre Chaillot has never noticed the pretty young flight attendant who dotes on him adoringly. But when his fiancée's infidelity drives him to the brink of suicide, Pierre's guardian angel takes the form of this stewardess to urge him to choose life. Though the angel confesses her divinity, Pierre is skeptical of the existence of angels. But, despite their difference, the two bond during her brief sojourn in human form.

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Mr. Elwoods deals with an invisible rabbit as if it were a real person. At the end of the play, it remains unclear whether the happy Mr. Elwoods with his invisible rabbit or his environment, which believes him to be a mentally disturbed person, is normal.

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A German film comedy

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