János Csányi

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1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.

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A cross-section of the relationship between the two great figures of French symbolism, Arthur Rimbaud and Paul Verlaine.

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The protagonist was sent to South America after the war. Now he is back home and wants to meet his old love. At the same time, he takes on the job of looking after his in-laws' children, two very bad boys, while their parents are on holiday abroad. What will become of it? Anyone who meets the "fantastic aunt" at the beginning of the film, as well as Huba and Csaba, will have an inkling.

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Those who don't work have to think very hard to make ends meet. Can one be called an artist of life who sells the Blood Field to Bulgarian gardeners in post-war Budapest? The need is great, sometimes greater than the power of the law, as long as an army of gullible people roam the streets.

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A group of landless Hungarian peasants accept work as migrant-labourers on a northern German farm where the wages are good, and the wives and family are allowed to accompany them. Though in the midst of WWII, they are relatively well-off. However, as they witness the treatment accorded to POWs and others not so gently regarded, and at the conclusion of the year's harvest, they choose to return to Hungary and are quickly swept up in the tides of war.

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Lohmann's son is kidnapped. The un-known kidnappers get a thirty-thousand-jewel from the West German millionaire as ransom. The eager police lieutenant-colonel, Gálffy finds that the traces lead to a mysterious, elegant blonde, who is naturally a brunette.

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