Arturo Ripstein

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In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

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After her husband leaves her for a younger woman, the helping of her caring, but cynical godmother, is not enough to prevent Julia from plotting her revenge.

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A woman seeks help from one of her bigamous husband's killers to transport his corpse back to her home.

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Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

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"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio and Mamá Dorita. They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

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Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.

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Perla, a prostitute and the star in a miserable cabaret in the docks, falls in love with a sailor without knowing that he is her brother. Tomasa, Perla's mother, tries to prevent this incestuous relationship at all costs, but fails to do so. Set in a sordid environment, the director makes no concessions in this tragic love affair, which is narrated from three different points of view.

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The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

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The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.

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Triángulo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from August 3 to November 20, 1992. Created by María Zarattini and adapted by Irma Ramos, the telenovela stars Daniela Castro and Eduardo Palomo. The story follows Sara Granados, a kind-hearted young woman who is constantly mistreated by her stepmother and stepsister. After being deceived by the ambitious David and becoming pregnant, Sara finds support in his brother Iván, who falls in love with her. As David returns determined to reclaim her, the three become entangled in a love triangle marked by family conflicts, betrayal, and the search for happiness.

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La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

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The story begins in a small town in rural Mexico, home to Maria López—a humble, dreamy young woman of indigenous descent—who decides to leave her village for Mexico City in search of work and a better life. Upon arriving in the capital, she begins working as a domestic helper in mansions across wealthy neighborhoods, using her earnings to pay for sewing classes. At one of these homes, she meets Juan Carlos del Villar, a playboy who seduces and wins her over.

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Set in Mexico City, Mentiras Piadosas is the doomed love story of Clara and Israel. She is a health inspector and he is an herb merchant, who is obsessed with the construction of an enormous model of the ancient city of Tenochtitlan. They both decide to leave their respective partners to live together, however, jealousy, blackmail and guilt will become unbreakable patterns destroying their tragic relationship

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Dulce Desafío is a Mexican telenovela starring Adela Noriega and Eduardo Yáñez.

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Poor Dionisio finds himself as recipient of the good fortune, but soon he forgets that everything that goes up also has to go down, and that in the depressing nothingness of his town it is easy to die.

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A novelist travels to the country to learn the problems of a friend's shy son and runs into an intruder.

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Intrigues and secrets come together because of a woman, who has the protection of the parish priest.

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The story of two women, a mother and her daughter, who during the Cristero War set traps for government soldiers passing by their house, using seduction that was never consummated. The idea was to deceive the soldiers by making them feel safe, then hand them over, almost with their hands tied, to the Cristero guerrillas. But then one of the women, the daughter, truly falls in love with one of the soldiers, allows herself to be seduced by him, and then tries to save him, only to be killed, in the circumstances, by the soldier himself.

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Thriller directed by Arturo Ripstein.

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The arrival of Aunt Alejandra triggers a series of nightmarish events that will put the life of a family at mysterious risk.

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After being released from jail, "Tarzan" Lira seeks to rebuild his life as a bank employee. Unfortunately, it might not be as easy as he thinks.

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Deceived over and over again by the whole world, a woman does not want to give up in the face of life's adversities.

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Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.

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The Lecumberri Penitentiary was one of the most notorious prisons in 20th-century Mexico, known for the notorious inmates who were held there and the appalling living conditions inside. This documentary records daily life in the prison shortly before its closure.

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An examination of the problem of alcoholism in Mexico, focusing primarily on the underprivileged, though it also analyzes how this addiction transcends social, gender, and temporal barriers.

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A Romanian aristocrat retreats to a desert isle with his wife and servants on the eve of World War II.

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A plague is spreading through 16th century Mexico, and the Inquisition of the Roman Catholic Church is rooting out Jews, for they are believed to be its cause. At his father's funeral, a monk observes his family practicing Jewish burial rite, and he reports them, leading to devastating consequences for the whole family.

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A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.

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Friends of Luis Buñuel discuss the director while Buñuel mixes drinks and entertains friends in his home.

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