Marcel Bozonnet

Eric and Ramzy prank fans by inviting them on the set of what they believe is their new “Zorro” in Spain for a week, yet everyone but Boris is an actor.

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After long years spent in exile in Paris, Lyubov, a strange and elusive woman, returns to her ancestral estate, about to be sold to pay off the family’s debts. As the centre around which the play revolves, forever oscillating between tragedy and comedy, this maternal figure, this mater dolorosa, played by Isabelle Huppert, returns to a family unsettled by the future of the estate, and more largely, by that of this world she left behind. Modern society, with its social changes, is right around the corner, noisily announcing its arrival.

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After a groundbreaking presidential election, Jeff Tuche becomes the new President of France and moves in the Elysee with his family to govern the country.

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In the early 20th century, one of the biggest stars of the Parisian stage was a Black artist who has since been forgotten: the clown Chocolat. This film by Samia Chala and Thierry Leclère tells the extraordinary story of this former Cuban slave who captivated the Lumière brothers, inspired the painter Toulouse-Lautrec, and later influenced writers such as Jean Cocteau. The meteoric rise of Chocolat—who was physically struck and mocked on stage by the "white clown" Footit—reflects the French public's discovery of the "Black man" during the era of colonial exhibitions and the Third Republic. It is a story that still resonates today. Drawing on exceptional archival footage, Chocolat’s epic life story is recounted by historian Gérard Noiriel and actor Marcel Bozonnet, both of whom brought the clown back to life on stage.

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Sensual, facetious, satirical and mocking, François Rabelais born at the end of the 15th century, alone embodies the Middle Ages, this fertile era from which the modern world emerged, and the spirit of research, of intellectual fever of the Renaissance, its enthusiasms and its aspirations.

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After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.

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The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

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In the aristocratic society of the seventeenth century, the fate of Marianne child who survived the deadly attack on a convoy.

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The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.

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A desperate husband chases a bus full of beautiful women headed for Paris, France.

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The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist.

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A librarian, a gangster's ex-lover and a woman who has recovered from a coma spend an eye-opening summer in Paris.

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Jeanne has succeeded in lifting the siege of Orléans and Charles has been crowned King of France. However, she is injured in an attempt to take Paris, weakening her position at court. Captured by the enemy and put on trial, she finds both her life and the sanctity of her body at stake.

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Convinced only she can lead France to victory against the invading English, Jeanne leaves her childhood home to plead with Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

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Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

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While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

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A worldly French teen is determined to escape from her current situation for a better life.

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Molinat is assigned to the case of a man found with a bullet in his ear on the shore of a little Atlantic coast resort he knows well. Indeed, he used to live there before his wife disappeared at sea, never to be found again. As the ocean rejects a new corpse everyday, the mystery thickens and the list of potential suspects grows longer. This slows Molinat's progress as much as the cumbersome Leroyer, sent in to spy on him and hopefully impede his progress. The tension mounts and the ring involving the three young ladies in the grey mansion, the village idiot and the real estate agent starts spinning out of control.

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The Venetian performance world is on the alert: an impresario is looking for talent to stage what he defines as the most beautiful opera of his time. Everyone goes there from their pushy little merry-go-round to attract the favors of the character and extricate themselves from misery. But the main interested party hardly seems to be sensitive to these effects.

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Longtime friends Guarrigue and Sénanques own a successful law practice in Paris. The dreaded businessman Pervillard is one of their clients. One night, Sénanques, who is in an unhappy relationship, meets Sacha. For her sake, he causes a political scandal involving Pervillard and puts himself in danger.

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Anna lives with Philippe. Their couple has been formed since "belle lurette", and Anna is starting to get bored…

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A young gay man falls head over heels in love with an Algerian labourer he meets in transvestite bar where he is a regular.

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After a feminist is found murdered in her own home, a police detective investigates the crime with the help of several determined women.

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Max Baumstein is a reputable businessman who founded an international organization fighting against violations of human rights. Why would he commit an act that apparently negates the principles he has striven for so long to uphold? As he is tried for first-degree murder for killing a Paraguayan ambassador in cold blood, he reveals a secret about himself that he kept hidden from his wife Lina. His act is the conclusion of a struggle that started many decades earlier in his childhood...

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Bernardette is feeling bored in a country house. She decides to send weekend invitations to a lot of people.

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Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

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Story of the life of an extraordinary man, who with Lenin, was the symbol of the Revolution of 1917.

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TV film produced for the "petites caméras" collection.

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