Yekaterina Sobol

Lida Baburova, a tour guide of an architectural museum, unexpectedly receives a warrant for a two-room apartment in the new district of Zarechye, among the new settlers called "our Cheryomushki". Lida and her father go to inspect the apartment, but it turns out that it doesn't exist. The manager of the house, Barabashkin, conducted fictitious documentation, and the Baburovs' apartment merged with the neighboring one, owned by the head of the construction trust Drebednyov.

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At first, everyone treated Ivan Kondakov, a young inventor, with irony. But a mine is a mine. And so his absent-mindedness, tardiness, and other frivolous behavior were often ridiculed in the miners' newspaper. His school friend Lelia, who had graduated from medical school, no longer understood the fanatic. Only Nina, a newcomer to the mine, supported and defended Kondakov...

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Two friends, Valya and Slava, come up with an interesting game for the kids in their neighborhood—called "sea crew"—and an old abandoned shed serves as their "ship." But the game is just a game, and the kids want to participate in something real. Then they receive a letter from an older friend — the virgin lands where he is heroically working are short of tractors. Here it is, a real job — they need to collect scrap metal to build a tractor! What's more, the kids decide to raise a sunken barge from the bottom of the Neva River...

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Military doctor Vladimir Ustimenko is a man of duty and honor, committed to the cause he serves, and one single love that he carries through his whole life: Varvara Stepanova is a whimsical girl who dreamed of becoming a great actress but eventually became a geologist. The war will cruelly interfere in the fate of the heroes and confuse their relationship even more.

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Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

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After his father's death, teenager Viktor Tsaplin was sent by his stepmother, who suspected the boy of stealing watches, to an Odessa orphanage. The guys met the new guy unfriendly, and when the teacher's antique watch was missing, Victor was considered the culprit. After enrolling in a nautical school and once going to sea with tipsy fishermen, Victor crashes a boat. He is being expelled from the college. Deciding to start a new life and in a new place, Victor leaves to work as a fireman in Kamchatka.

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The local doctor Yelizaveta Maksimovna is a beautiful woman and a wonderful sympathetic person. She is lonely, although she is cared for by a confident and promising colleague. Yelizaveta Maksimovna has one patient, a manly, full-energy ship builder Yershov, chained to the bed with a paralysis of both legs. All doctors recommend him rest, and Elizaveta Maksimovna advises to work and not feel sorry for herself. Yershov with all his heart falls in love with his doctor, and she loves him, but she does not dare to say her feelings. Ershov thinks that he has no hopes, but...

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The teenager Misha Polyakov, being with his mother in a Ukrainian village on vacation with his grandmother and about to return home to Petrograd, offers his best friend Genka to go with him. Suddenly, a white gang of Nikitsky bursts into the village and attacks Misha’s house, where Commissioner Polevoy lives. The purpose of Nikitskiy (aka Nikolskiy) is a dagger located at Polevoy. Saving the commissioner, Misha learns from him the history and secret of the weapon, and receives it for storage with a request to solve the secret. Having returned with adventures to Petrograd, Misha Polyakov with friends begins to unravel the riddle of the dagger, in the handle of which is encrypted text.

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Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

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