Jiří Adamíra

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A woman discovers a conspiracy while searching for her missing travel companion.

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Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.

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At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

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Czechoslovakia 1918. The newly formed National Assembly has made Stoklasa the administrator of the Kratochvile Castle. Although with no aristocratic background, he is a man of fortune and is trying to buy the castle. To impress his neighbors and the local politicians he invites them to a great hunting party. Uninvited comes a man who claims to be Duke Alexej. Stoklasa believes him to be a hustler. This hustler, however, manages to charm all the women before he leaves.

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A documentary about the composer who made Czech music famous all over the world.

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Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

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A brilliant dialogue between the aging Spanish ambassador and the widowed Maria of Pernštejn, born Manriquez de Lara. The ambassador tries to moralize the young widow and mitigate any unpleasant consequences of her behavior. After all, it is really not appropriate for a Catholic noblewoman, and a Spanish one at that. And the young widow is not only charming, but also quick-tongued.

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A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

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Centurion Kubát, of Czech origin, is staying in the camp of the Habsburg army, which is suppressing the Great French Revolution in France. He is staying in a house where a girl named Francoise lives. The eager Lieutenant Hauser reports to the centurion that he has caught two Habsburg soldiers with a French prisoner. Hauser suspects that the centurion's servant Tomáš is involved in the matter. He must severely punish Tomáš for his absence on the critical evening, but promises to pay him out of the army. He learns that he will receive a medal, invites the officers to dinner, and there announces to the colonel that he wants to request discharge from the army...

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The film tells the exciting life of the great Czech composer Leos Janácek (1854-1928), also known by the thick silver hair that crowned his head and his strong character, which could overcome the adversities of fate.

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Emperor Francis Joseph I is about to arrive in Prague, and among those who came to Stromovka to welcome him is Veronika Pavlitová. She wants to submit a request for clemency for her imprisoned father to the emperor, because she is barely able to support herself and her siblings on the meager salary of a seamstress. By chance, the girl meets Božena Němcová, whom she admires immensely. She becomes her friend and confidant for a while. However, police director Paümann, who has been following Božena Němcová for a long time, takes advantage of the naivety of the young girl. Veronika, in her simple-mindedness, tells him many things. Only later will she understand how she was abused.

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At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

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Fifty-year-old Ondřej Bozděch delivers coal around Prague's Žižkov district and he loves it more than anything. He has spent his whole life here and knows all the cellars. He lives his ordinary life among the Žižkov tenement houses, enjoying the joys and sorrows of his teenage daughter Markéta and his restless son Ondra. His best friend is his driver Karel, a former mathematician who once had to leave his job at a research institute for political reasons. Although Karel is an engineer and a completely different person than the straightforward Ondrej, he has become almost a member of the Bozděch family over time. But times are changing. The old houses of Žižkov disappear one by one, Markéta has to get married and Karel is offered to return to his original profession. Ondřej has to stop and think about what kind of life he is living...

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The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.

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Saxony, devastated by the Thirty Years' War, is led by the comedy troupe of the principal Fortunato. The student Vavrinec has fled Bohemia and greatly values the text of Shakespeare's tragedy Romeo and Juliet, which he has acquired on his wanderings around the world.

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Princess Magdalena is not having an easy time. Her mother, the queen, has died and her father, the king, has remarried. When Magdalena has grown into a pretty girl, her stepmother begins to make life hell for her. She doesn't want the king to notice that the princess is already an adult and even in love, so with the help of a treacherous flower, she enchants the girl into an obedient puppet. In the end, however, all the queen's intrigues turn against her and the young princess will be happy alongside her beloved prince...

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The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

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A young man from a poor proletarian family successfully graduates from university, meets a girl who grew up in an orphanage - and surprises his surroundings, greedy relatives and a friend from a rich bourgeois family, by refusing any benefits. He regularly visits his parents to help them build their house, trying to act honestly at all times.

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The main character of the story which takes place in the twenties in Budapest is the poet Dr. Rácz György, who returns after ten years of absence. In a café he meets his former friend Lajos, who has just broken up with his lover, Márta, because of the wife of professor Büchler. The transiently formed, rootless Rácz gets entangled into the sophisticated, complicated love affairs of bored or tired ladies.

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