Ivan Osvald

Tanya, a 10-year-old Russian tourist traveling with her parents from Prague to Brno, is left behind in a foreign country. Tanya leaves her compartment when the train stops because of a cow. Disobeying her parent's instructions, she gets off the train to investigate, lingers too long, and is left behind. Cold, lonely, and clad only in her pajamas in the unfamiliar countryside, the girl is relieved to meet up with two rather nervous Czech boys camping out together for the first time. At first the would-be "cowboys" are frightened by her ghost-like appearance. After hearing her story, the boys find Tanya a dress to wear and accompany the girl on foot to her final destination, Brno.

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A few bus-loads of holidaymakers from the agricultural cooperative on a day trip arrive to see the show at the Slavia Circus. But, they have bad luck. It is Monday, the day on which the employees have their extra day off.

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Four short stories by the greatest Czech satirist Jaroslav Hašek. "Soup for Poor Children" tells the story of how Prince Robert himself cooked soup for poor children, "Meeting of the Municipal Council in Mejdlovary" is the history of filling the position of municipal policeman, "Trampotes of Mr. Tenkrát" shows how strange events lead to marriage and promotion, "Revolt of the Convict Šejba" depicts the victorious fight of the convict Šejba for a dumpling for ministering at mass.

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Baker Jan Racek (Vladimír Repa) is a very hard-working and sensible man. His great passion is pigeon-keeping and also, for many years, Ruzenka (Ludmila Vostrcilová). They are going to get married but Racek is busy waiting for the pigeons' return and misses the wedding. The engaged couple is already getting a little older so the otherwise kind Ruzenka gets very angry at this and gives Racek an ultimatum - it's going to be her or the pigeons.

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The plump, punctual and slightly despotic Mr. Tříška worked as a housing officer, which completely damaged his psychological resilience, he is short-tempered and easily angered. The intended rest in the countryside, where he went with his whole family, however, turns out completely differently than he expected - because all the hardworking hands join together to ensure the fastest possible completion of the agricultural work, and there is also time left for his singing interests. And the main character is finally so carried away by the new environment that he eagerly joins in.

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The new era brings with it progress, which must inevitably penetrate even the most remote corners. It has also reached the village of Čirá. The men there have a number of modern machines that make their work in the fields easier, while their wives still toil in the household. One help is readily available - a communal laundry could replace the traditional washcloths. However, the men who rule the municipal council do not want to hear about such spending. So the wives join forces in resistance and resort to severely repressive means...

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