Marcel Carrière

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Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

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A married man and his family take in his brother, who is coming out from a religious order. They decide to realise the old family dream, migrate to Florida. But it won't be as easy as they think.

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The NFB filmed the table tennis competitions between teams of young Canadians and Chinese that took place in the People's Republic of China in the summer of 1973, the first time in twenty-five years that such filming was made possible. Shown are highlights of play at the China-Canada Friendship Meet, as well as some of the sightseeing taken in by the young Canadians--a visit, for example, to the Great Wall of China. Film without words.

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A down-and-out man who got separated, gets his second chance in a boarding house, thanks to a friend who is a con man, and falls in love with a roommate. However, when he gets a job, his ego gets over and might lose everything he got.

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Feature-length documentary film directed by Marcel Carrière. Returning to the region where the ARDA-BAEQ experiment took place (where the NFB's first social animation films were shot), the filmmaker witnesses the application of one of the measures stemming from this socio-economic redevelopment plan in Quebec: the demolition of 11 villages in the Lower St. Lawrence and the Gaspé Peninsula, experienced in Saint-Octave-de-l'Avenir.

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This short documentary offers an account of the epic bicycle ride of seventy girls and one man from Montreal to Vancouver. Their ultimate goal is to raise money in order to fund their trip to Expo 70 in Osaka, Japan.

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At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.

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A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.

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A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

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Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.

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A down-and-out man who got separated, gets his second chance in a boarding house, thanks to a friend who is a con man, and falls in love with a roommate. However, when he gets a job, his ego gets over and might lose everything he got.

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At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.

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