Tonino Taiuti

Naples told, through the centuries, in an anthology: Dadapolis by Fabrizia Ramondino and Andreas Friedrich Müller. A city always full of ferment, culture but also contradictions. In the film, however, today's city is told through the eyes of about sixty artists who live and work between Naples and abroad. A kaleidoscopic story made up of performances, songs, works of art and dialogues that narrate the transformations of a city, which never before has turned out to be so topical.

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The Divine Comedy, in particular Hell, becomes a nativity scene and therefore life in the visions of the trans-avant-garde artist.

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Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

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In a dilapidated Neapolitan apartment furnished in punk style, a dysfunctional extended family takes center stage. Amidst arguments, reconciliations, tensions, and clarifications, on the night the Berlin Wall falls, Erri Gargiulo, a shy and unambitious forty-year-old, decides to tear down his own personal walls and turn his life around.

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We are all equal before the law, but some are just more equal than others. Antonio is a trainee lawyer who dreams of joining his mentor’s prestigious firm. But Salvatore “Toti” Bellastella, the Prince of the Forum, is also an exploitative tyrant! He asks Antonio any kind of task: from being his assistant to driver, from paralegal to personal cook! When Antonio brilliantly passes the bar, he gets the offer of becoming a partner in the firm, but there is still one condition: he must marry Isabel, Toti’s lover, an Argentinian girl who needs the Italian citizenship. It looks like just another little “favor” for his boss. So Antonio accepts… and he’s really in a sea of trouble.

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Fired from his HR job in the big city, Fulvio returns home and sees a leaky pipe in his brother's church as the way to save the crumbling town.

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Demetrio Perez is a tough prosecutor torn between the corruption inherent in his job and the desire to do right by his family. But when opportunity presents itself and his daughter Thea falls in love with a Mafioso’s son, Perez has to cut through the morality of his law-abiding roots and become as dirty as the dangerous criminals he represents.

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A Donatello award nominated short film about a family who grow up and develop between 1952 and 2008.

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In a family of true-blue Neapolitans—or rather, die-hard Neapolitan purists—something incredible happens: a baby girl is born who speaks Milanese and wants to eat nothing but risotto and panettone. Imagine the surprise and the lengths to which Assuntina’s family goes in an attempt to cure her. And things are bound to get worse when the young girl grows into an adult.

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The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...

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A photographer (Edie Falco), a Swedish author (Per Myrberg) and a filmmaker experience a moment of self-awareness on an Italian island

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For personal and humanitarian reasons, Edoardo, a Ligurian sea captain, agrees to run a shipment of arms to Bosnian rebels for a shady Russian in Toulon who calls himself Riffaud. Edoardo's lover Clara wants him to quit the sea and Riffaud's wife warns Edoardo not to trust her husband, but Edoardo takes the job anyway. Sailing up the Adriatic, the crew threatens mutiny when they learn they must dock in a war zone. Once in port, little goes as Riffaud promised, and Edoardo must travel with a translator to the rebels' mountain stronghold to get payment for the crew. The war is all around them as Clara waits at home and the translator begs passage to Italy.

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Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

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A young priest crusades against organized crime in his Naples neighbourhood but falls in love with a 13-year-old boy. It's the chance the gangsters were waiting for to get rid of the thorn in their side. Will they be able to force the boy to accuse the priest of sexual harassment and have his reputation destroyed?

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During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

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Mario Martone films the eponymous stage show by Enzo Moscato.

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Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

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The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...

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