Brion Gysin

Resurrected through UK-led archival restoration NOVA 78' shows never-before-seen footage of the legendary Nova Convention where William Burroughs, Patti Smith, Zappa, Ginsberg and more collided in an explosion of ideas, art and rebellion.

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In 1960, Brion Gysin invented the Dream Machine, a hypnotic light device with the power to induce hallucinations, drugless highs, and revolutionize human consciousness. It looks simple enough; a 100-watt light bulb, a motor, and a rotating cylinder with cutouts. Just sit in front of it, close your eyes, and wait for the visions to come. The Dream Machine enthralled mystics and freethinkers everywhere; Kurt Cobain had a dream machine, and William S. Burroughs thought it could be used to “storm the citadels of enlightenment.” With a custom-made Dream Machine in tow, director Nik Sheehan takes us on a journey into the life of Brion Gysin; his art, his complex ideas, and his friendships with some of the most eccentric counter-cultural icons. Taking the Dream Machine as the basis of its explorations, FLicKeR asks crucial questions about the nature of art and consciousness, and imagines a humanity liberated to explore its creativity in complete freedom.

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The great Beat Generation experiments took place in Tangier, the Moroccan city where William Burroughs, Brion Gysin, and the Moroccan painter Hamri taught Jack Kerouac, Timothy Leary, and Allen Ginsberg how to live outside the law. This DVD features one of the last interviews with Burroughs and previously unseen vintage footage of him in his prime during the 50s and early 60s.

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Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.

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A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )

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