Antônio Abujamra

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William is a middle-aged writer who lives alone in a small, untidy house and can't settle down doing what he loves. Confused and distressed, he flirts with death. With the rope around his neck, about to jump off a chair, the man looks around at his house and sees little “magical” objects that remind him of his past and passions, thus making a decision.

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In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

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From his origins as a poet to his success as a singer and composer, Arnaldo Antunes revisits the most remarkable moments of his career.

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A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

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A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.

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Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

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A deep dive into the life and work of Brazilian actress Maria Alice Vergueiro. The documentary explores her turbulent beginning in the theatrical world, highlighting her strength and courage during the Military dictatorship in Brazil, which culminated in the foundation of the Teatro do Ornitorrinco.

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Corações Feridos is a Brazilian telenovela that aired on SBT from January 16 to May 23, 2012. It is a remake of the Mexican telenovela La Mentira written and adapted by Íris Abravanel, based on the original by Caridad Bravo Adams and directed by Del Rangel.

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"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

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This film documents in depth the life and artistic trajectory of the musician and poet Itamar Assumpção. He was one of the pillars of a moment of Brazilian popular music that was conventionally called "Vanguarda Paulista". Starting from extensive research which resulted in more than 250h of images and a dive into the personal universe of this incredible artist, Itamar comes up with a poetic, intuitive plot where facts and testimonies speak louder than preconceived ideas.

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In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

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Raimundo, film producer, asks financial aid to his friend and producer J.C. to evaluate his own project. J.C. conditions his support to a change in Raimundo's style. Raimundo will have to make a movie aimed to the general audience and following the old producer's book: violence, sex, non-actors and slum. Raimundo does what he says, but an unexpected fact threatens the film's conclusion.

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The first scenes of the telenovela Another Power were recorded at Palermo and Tonnara di Scopello two cities in Italy. One of the most impressive scenes was the terrible explosion of a car where were Tony Castellamare’s wife and their twin daughters; after he arrive at the crime scene, he testified the explosion causing the death of his family.

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A middle-aged, wealthy man who lives in an upscale neighborhood in São Paulo, goes to put on his shoes and finds that his foot is no longer the same – it has changed for the worse. This gesture is the trigger for a reflection on life, the passage of time and the difficulty in understanding the present day.

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In the midst of a disguised civil war, a cowboy and an executive settle the accounts of Brazilian social apartheid. Taking kidnapping as a starting point, the panorama of urban violence is outlined in a very good mood, in a kind of scintific fiction about the third world.

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In a monologue, a man expresses his distaste for the artistic community.

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In a monologue, a man explains his thoughts on the exploitation of Brazil's native people's resources.

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In a monologue, a man expresses his views over the international selling of the Amazon rainforest.

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In the 19th century, rich farmer with a passion for music dreams of having an orchestra. He hires a conductor, to help him organize the musicians. But the man falls in love with his daughter.

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Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

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Children of arch-enemy families in the city of Ouro Negro and separated as teenagers, Miguel and Letícia meet again 30 years later, without knowing who the other is.

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A "normal" couple are living a "normal" life together, but they have many complaints about themselves and each other.

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Fred is a blind boy who lives alone with his mother. Out of his dull routine, in which nothing ever changes, he speculates continually about the color of things and claims to prefer the color white, which represents for him everything that is unattainable.

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The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.

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The adventures of a man with amnesia who struggles to rediscover his past while learning to live in the present.

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A Jewish teenager goes to a Catholic school and falls in love with a black Catholic girl.

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Os Ossos do Barão is a Brazilian telenovela produced by SBT and originally broadcast from April 28 to September 8, 1997. It is an adaptation of Jorge Andrade's 1963 play of the same name, adapted for television by Walter George Durst, with collaboration from Duca Rachid, Mário Teixeira, and Marcos Lazarini. The telenovela stars Ana Paula Arósio, Tarcísio Filho, Juca de Oliveira, Othon Bastos, and Leonardo Villar. Set in São Paulo in 1948, the story follows Egisto Ghirotto, the wealthy son of Italian immigrants who dreams of gaining social prestige by marrying his son, Martino, to Isabel, the great-granddaughter of the late Baron of Jaraguá. Their romance sparks a bitter conflict between a rising immigrant family and a declining aristocratic dynasty, exposing themes of class, ambition, tradition, and the social transformation of Brazil.

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"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

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The true story of the boy who became famous when he was cast for the main part on the Brazilian film Pixote: A Lei do Mais Fraco (1981). After the film was over, he tried to work as an actor on other projects, with little success. As time went by, he got involved with crime.

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A beautiful woman is found dead, with a peach in her mouth, a bite in her butt and without blood in the body. When other women are found dead in the same modus-operandi, the police gives the nickname of "Vampa" to serial killer. Detective Leôncio is assigned to investigate the murder together with fetishist photographer Oscar. Without any lead, they decide to follow a sexy and popular night-club dancer on the streets of São Paulo, trying to identify possible suspects.

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Antônio Alves, Taxista is a Brazilian telenovela produced by Ronda Studios and broadcast by SBT from May 6 to August 10, 1996. It is a Brazilian adaptation of the Argentine telenovela Rolando Rivas, taxista (1972), created by Alberto Migré. Adapted by Ronaldo Ciambroni, with direction by Jorge Montero and general direction by Marcelo Travesso, the telenovela stars Fábio Jr., Guilhermina Guinle, Branca de Camargo, Rubens Caribé, Elaine Cristina, Murilo Rosa, and Eliete Cigarini. The story follows Antônio Alves, a humble taxi driver who moves to São Paulo after the death of his parents and becomes responsible for supporting his four younger siblings. While trying to build a better life, he meets Mônica, a young woman from a wealthy family, and the two fall in love despite their different social backgrounds. Their relationship faces family conflicts, personal struggles, and challenges involving friendship, responsibility, and the search for happiness.

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Second Brazilian TV show hosted by Coffin Joe. Produced by TV Tupi and directed by Antônio Abujamra, this TV show has a better production quality than the "Além, Muito além do Além" (1967-68) and a more dreamlike and surreal tone, but unfortunately not the same audience, which expect something more realist like the previous TV show. A lot of stories from this TV show was used later on the Coffin Joe's Horror Comic Books.

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