Colin Brunton

A history of Toronto punk and new wave. A history of the first wave of Toronto punk rock and new wave music, from when the Ramones played in 1976 through to when the cops gave Teenage Head the boot at "The Last Pogo" concert in 1978.

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A filmmaker searches for two Canadians who flew to the moon in 1959, but because they were Canadian, were too modest to tell anybody about it.

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THE LAST POGO documents the raucous 1978 punk concert held in Toronto's legendary Horseshoe Tavern, a night of unhinged music and unbridled mayhem. On December 1, 1978, legendary Toronto concert promoters Gary Topp and Gary Cormier, known as The Garys, presented The Last Pogo, a rollicking, riotous concert at the venerable Horseshoe Tavern. On the bill were seminal bands from Toronto's thriving punk rock scene: The Scenics, The Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. During the concert, the frenetic energy of 800+ thrashing fans in the club boiled over and a near-riot ensued. Filmmaker Colin Brunton was there with a camera crew to capture it all, from the irreverent punk musicians and the slam-dancing audience to the police who tried to stop the show and the firefighters called in to escort people from the premises.

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The Little Town That Could explores the story of how the tiny town of Goodwood, Ontario became the backdrop for Schitt’s Creek, one of the most beloved TV shows in Canadian television history. Through interviews with residents, shop owners, and members of the production team, this short documentary captures how Goodwood has balanced the excitement and disruption of sudden fame. From tourists crowding the “Rose Apothecary” to businesses navigating unexpected attention, it’s a story of what is gained - and quietly lost - when a peaceful community becomes a stage for pop culture and nostalgia.

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Follows the first year of business for Alex, Charlie, and Nigel as they try to make their theatre, The Toronto Underground Cinema, a success in the dying world of repertory cinema. The film also places the cinema in context to the larger world of rep. Featuring interviews with theatres such as Film Forum in NYC, The Alamo Drafthouse in Austin, and The New Beverly Cinema in L.A., and celebrities such as Kevin Smith, John Waters, Atom Egoyan, and George A. Romero, the world of repertory cinema will come alive as a vibrant and culturally significant medium that needs to be preserved

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A filmmaker searches for two Canadians who flew to the moon in 1959, but because they were Canadian, were too modest to tell anybody about it.

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Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.

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A dark comedic caper centred around a community of barflies at a Hamilton dive bar. When the patrons get word that Foggy, one of the bar’s regulars, is on the run with a fanny pack full of money, they each scheme, backstab and claw at one another to be the first person to find Foggy and take the money.

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The eclectic staff and patrons in the underfunded Jameson branch of the Metropolitan Public Library deal with the community and each other’s eccentricities.

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The iconic Canadian sketch comedy show returns with an exciting new season, a fresh batch of fun, off-beat characters and beloved favorites, and sketches that pack a satirical punch, all laced with the edgy and fearless comedy the Kids are synonymous for.

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