Takuya Kato

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Seven huge holes appear in Japan — could they really be gods? Eight people and their teacher share their stories and secrets before entering the unknown.

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Watako has just lost her lover, Kimura, in a traffic accident in Tokyo. She decides to bury the trauma of this tragedy and carries on with her life with her husband. Although she puts on a facade for a while, the loss of Kimura has left deep marks, and she can't escape his memory any longer. She must now confront her grief.

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Yumi (Mai Kiryu), studying design at university, is dating Naoya (Kisetsu Fujiwara), a member of the theatre society, when one day she learns that she's pregnant. She tells Naoya, who dreams of owning his own theatre company in the future. The more they face reality, the more they seem to be at odds with one another...

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In a futuristic Tokyo where police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the 'cutter' demographic, Ruka is on a mission to avenge her father's assassination. Ruka is a cop from a squad whose goal is to destroy homicidal mutant humans known as 'engineers', that possess the ability to transform any injury to a weapon in and of itself.

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Seven huge holes appear in Japan — could they really be gods? Eight people and their teacher share their stories and secrets before entering the unknown.

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Watako has just lost her lover, Kimura, in a traffic accident in Tokyo. She decides to bury the trauma of this tragedy and carries on with her life with her husband. Although she puts on a facade for a while, the loss of Kimura has left deep marks, and she can't escape his memory any longer. She must now confront her grief.

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Twenty-five-year-old Momo has friends. Her parents live some distance away, but they sometimes get together to dine out. She dates an acceptable guy, and they share drinks at home. She apologizes to unreasonable clients over the phone at work and hones her ability to keep things civil with coworkers at drinks after work. This perfectly ordinary life means Momo doesn't immediately notice a nagging feeling: "I want to die." For her, it's a phrase she must never say aloud. One summer, unable to bear the thought of the coming Monday, Momo takes a day off from work. She begins to visit other people who struggle with thoughts of suicide, but have discovered alternatives and choose to live instead. She connects with these "Papagenos" through social media. Over the course of her difficult journey, Momo herself begins to discover other choices beyond death.

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Yumi (Mai Kiryu), studying design at university, is dating Naoya (Kisetsu Fujiwara), a member of the theatre society, when one day she learns that she's pregnant. She tells Naoya, who dreams of owning his own theatre company in the future. The more they face reality, the more they seem to be at odds with one another...

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