Genshū Hanayagi

EAT THE KIMONO is a brilliant documentary about Hanayagi Genshu, a Japanese feminist and avant-garde dancer and performer, who has spent her life defying her conservative culture's contempt for independence and unconventionality. She denounced Emperor Hirohito as a war criminal, and dismissed death threats made against her by right-wing groups.

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A woman living alone is visited by her ex-husband. At the same time a young couple who are about to break up get trapped in the town as public transport is cut off.

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Hanayagi Genshu, who spent a winter in Tochihara Women's Prison due to an injury to the Hanayagi style Iemoto, is allowed to be paroleed. In Asakusa, she reunited with her prison companion, Sayoko Nakano. Genshu, Sayoko, and Setsuko Kanno gather at a yakitori restaurant to reminisce about their prison days. This is the second drama of her prison record that was broadcast in 1984 and caused a sensation.

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This drama attracted significant attention as an adaptation in which actress and dancer Genshu Hanayanagi recounts her real-life experiences in prison. On October 29, 1980, Hanayanagi (playing herself) began serving a prison sentence after being convicted of assaulting the head of a traditional dance school. Inside, she met women from diverse backgrounds, including a woman who allowed birds to devour her own child and a member of the Red Army Faction. Although initially met with a cold reception, Hanayanagi gradually became a central figure among them, thanks to her naturally cheerful personality.

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In 1930, the chance meeting of a novelist and one of his fans opens the door to a series of mysterious events culminating in the death of a wealthy industrialist who may have been leading a double life.

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Taken out of the pages of history itself, this is the story of the sizzling love between Kenreimon-in of the Taira Clan and Yoshitsuné of the Minamoto Clan. When the Taira Clan had met ignominious defeat at the hands of Yoshitsuné, Kenreimon-in had jumped into the sea with her son, the infant Emperor, but only she had been rescued by Yoshitsuné. A rough-hewn warrior, Yoshitsuné had taken her by force until he awakened an answering love in the Empress with his chamber techniques.

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Toei film directed by Misao Arai involving a young woman getting tattooed.

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Even after turning 30, Matsutaro Tokuda is still single and spends his days driving a white taxi. He likes to gamble, although he doesn't have a talent for it. However, there was a woman that fell in love with such a man...

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After losing her husband, a traditional puppet artisan has lived a life without love. However, her relationship with her daughter and the arrival of some dangerous acquaintances inevitably spark new curiosities in her mind and body.

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A true-life tale of a broken woman whose hedonistic tryst with a high-class restaurateur resulted in a horrific crime of passion that littered Tokyo headlines in 1936.

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Writer and ladies-man Yonosuke, who gives inept English lessons (using Shakespeare's Romeo and Juliet), is mistakenly ushered into the back entrance of a woman's house one rainy night. When he finds out that her husband is away at war in Russia he tries to take advantage of the situation. Her honor is saved when he discovers she is wearing a chastity belt. But she is lonely and she has the key...

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A strong-willed young prostitute, her mentally challenged brother, and her aging prostitute mother attempt to survive in 1970s Osaka.

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Nikkatsu Roman Porno

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Scantily clad female warriors battle thieves to save a small village. Director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series and dressed it up with some of the most popular softcore pinup queens of the day.

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A concubine is exiled from the Shogun's harem after she is found guilty of having tried to smuggle a kabuki dancer into the palace for the purpose of an illicit affair. Another concubine believes she has been framed and keeps investigating.

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Roman Porno from 1972.

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The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

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Two university students from Kyoto decide to swap partners and spend the night in an isolated motel. However, one of the couples is attacked. Desperate for answers, they search for the attackers and come across a cult that promotes sexual freedom.

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Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.

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Okatsu the Fugitive is the third film in the "Ohyaku/Okatsu" series. Okatsu; a "tomboy" who is good with a sword. Her father has found her a man to marry and actually she doesn't seem too upset about the situation. At the same time, a bunch of farmers are being slaughtered by a corrupt group running a tobacco smuggling ring. They're being investigated by a man who is documenting their crimes and when they find out about it, they torture him for information but get none. It's not long before he and Okatsu's mother wind up dead and she sets out for revenge.

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A Japanese woman is raped by her boyfriend day in day out.

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A portrait of a man trying to become an artist in order to escape from his life as a miserable peasant due to severe annual tribute during the reign of the fifth Tokugawa Shogun Tsunayoshi.

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Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

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A samurai kills a blind man who tells him to repay his debts. Because of the samurai's actions his entire family is to bear a terrible curse.

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