Hanna Ekman

With the film industry in decline, Björn (50), a seasoned first assistant director, finds himself unemployed and adrift. To stay afloat, he takes a temporary job as a school photographer—an unfamiliar and humbling role. Over the course of one long day, Björn's fragile calm is tested by a string of phone calls from his mother, his teenage daughter, and his ex-wife. Each conversation pulls him further off balance, and the tension begins to seep into the portraits he takes. As his professional facade starts to crack, an unexpected encounter with a P.E. teacher at the school offers a brief moment of understanding—and a hint that change might still be possible.

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With the film industry in decline, Björn (50), a seasoned first assistant director, finds himself unemployed and adrift. To stay afloat, he takes a temporary job as a school photographer—an unfamiliar and humbling role. Over the course of one long day, Björn's fragile calm is tested by a string of phone calls from his mother, his teenage daughter, and his ex-wife. Each conversation pulls him further off balance, and the tension begins to seep into the portraits he takes. As his professional facade starts to crack, an unexpected encounter with a P.E. teacher at the school offers a brief moment of understanding—and a hint that change might still be possible.

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Despite the threat of war in the fall of 1939, the Germans decide to launch a sea expedition in search of evidence for Pangaea. Although the multi national geologists embark enthusiastically on their research mission, the growing political tension between their countries soon affects their work. With Britain and France declaring war on Germany, the civilian scientists now find themselves mere pawns in a global power struggle.

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The Stig-Helmer Story is a 2011 Swedish comedy film directed by Lasse Åberg. The film is the sixth in the series about Stig-Helmer Olsson.

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In a hopeless small town in Sweden, lives Maja, 18 years old. Her highest and only dream is to become an actress. She wants to be the center of attention - for everyone to see HER, to see the beautiful person she is inside. It's just a little hard to see. Maja is severely overweight, clumsy and completely without social skills... We get to follow Maja and her struggle to realize her dreams during the last semester of high school.

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1927. The place is Kalmar and the Grossman family home. A hungover manufacturer Julius Grossman and his wife Solveig are waiting at home for their daughter Betty to arrive by train from the capital. To their great surprise, she arrives in a car with her suitor Greger in tow. What's more, she seems to be full of contemporary trends and modern ideas about marriage, among other things. Her father Julius would rather see her marry his business partner Hilding and thus retain control of the company. Hilding is a dull, somewhat dreary, and slightly overage bachelor who suddenly becomes every woman's dream prince when a rumor begins to circulate that he had a relationship with the famous movie star Rita Ray in his youth.

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With the film industry in decline, Björn (50), a seasoned first assistant director, finds himself unemployed and adrift. To stay afloat, he takes a temporary job as a school photographer—an unfamiliar and humbling role. Over the course of one long day, Björn's fragile calm is tested by a string of phone calls from his mother, his teenage daughter, and his ex-wife. Each conversation pulls him further off balance, and the tension begins to seep into the portraits he takes. As his professional facade starts to crack, an unexpected encounter with a P.E. teacher at the school offers a brief moment of understanding—and a hint that change might still be possible.

Open details →