Robert Morin

Over one weekend, a young boy and his new pet fox tag along as his father chases a drug deal meant to fix all his problems.

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The film is a deeply personal documentary and "love letter" from filmmaker André-Line Beauparlant to her partner of over 30 years, legendary Quebecois filmmaker Robert Morin. Beauparlant turns the camera on her lover to understand both the man and the creator, exploring their life together, their artistic collaboration, and the complexities of his uncompromising work.

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A wounded moose escapes its hunters, later dying deep in the forest and becoming... a communal feast. As the seasons go by, mammals, birds and insects invite themselves to the banquet - multiplying ensuing games, rituals and conflicts. In exploring and occasionally foiling nature's wildlife codes, our story becomes a simple yet poignant reflection on death, on its natural place in this world and, by extension, on its deeper meaning and purpose - important lessons to explore at this time when the glorious paradises offered by religions tend to feel less and less credible.

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In the early 2000s, following her return from a long stay abroad, Amélie invites her friends, Maude and Pascale, to a cottage. In a disturbing and isolated forest, Amélie tries to reconnect with her friend Maude, while the rivalry between her and Pascale takes a dark turn.

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A well-respected plastic surgeon dedicated to helping patients with severe burns questions his career, his family…his perfect life and ultimately, his sanity when an encounter with a disgruntled patient triggers a psychological spiral no one can control.

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Sent in Nunavik by a Deputy Minister, a cameraman who befriended the inhabitants of a small village realizes that the material he shot along the way will be used against the Natives to deport them.

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Jean-Marc Phaneuf, an unmarried electrical engineer, travels to Burundi as a volunteer for the NGO Radio du Monde. He finds a country ruined by grinding poverty, famine, war, disease and appalling social inequality. At the same time, he meets a joyful, brave people hungry for happiness, knowledge and human dignity. The camera that becomes his personal diary also helps Jean-Marc expose the shaky, ineffective workings of NGOs. His investigations turn up a few praiseworthy examples of international cooperation, but on the whole he finds himself drawn to a terrible, inescapable conclusion: humanitarian aid is a utopian mirage. After falling victim to an attack and losing whatever ideals he still had, Jean-Marc becomes entangled in an impossible relationship. He is ultimately forced to leave Africa in disgrace.

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Jean-Paul is a public servant, tired of toiling at his soul-destroying job. As a writer, he feels out of touch with the times and longs for inspiration.

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Two gangsters had a mission to start a case of arson, but instead they kidnapped the daughter of crazy mafia boss.

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On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

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A man visits his elderly handicapped father on Christmas Eve with the intention of putting him on trial for crimes against his family and then executing him.

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On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.

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Host Guy A. Lepage brings together six to eight personalities from different milieus—sports, politics, stage productions and more—that are the subject of everyone’s conversations and/or are important figures in recent events. Participants are invited to speak freely, voicing their opinions on headline news or on a subject that is near and dear to them.

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In the middle of the night, in the Québec countryside, all hell breaks loose as a black teenager is caught smashing a racially denigrating lawn ornament. Together the neighbours attend to justice against the vandal. Thorough the night there is mounting racism, fueled by alcohol, and violence. Le Nèg' opens the morning after when the police investigators arrive at the scene to take depositions.

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Christophe agrees to be filmed by his roommate Stéphane, while he is searching for a meaningful engineering job. Since he voluntarily resigned his job when he was to be moved to quality control, he does not get unemployment benefits, and goes to classes on how to contest the decision.

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The son of a French-speaking father and an English-speaking mother, Earl Tremblay is in the throes of an identity crisis. In an attempt to resolve it, he examines his past, his present and even his future through the lens of a camera. While screening the 19 rolls of film he's shot, he comments on his social ascent and unwittingly reveals his dual personality. Known by its working title, Double Face, Yes Sir! Madame... is the result of work carried out over several years.

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The Reception takes place in an isolated mansion on an island, but the host is mysteriously absent. A storm traps everyone inside, and the atmosphere turns sour when it is revealed, by way of a video, that each of the guests has a criminal past. A death ensues, and then another... the mansion quickly turns into a jail. Inspired by Agatha Christie's Ten Little Indians.

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Little did this pretty brunette know when she applied for a babysitting job that her employer was an artist and that everything at his place differed from the outside world. What struck her the most was to find out that her boss had shrunk his wife and kept her in the fridge in order, as he said, to keep her safe from a hostile world!

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A wounded moose escapes its hunters, later dying deep in the forest and becoming... a communal feast. As the seasons go by, mammals, birds and insects invite themselves to the banquet - multiplying ensuing games, rituals and conflicts. In exploring and occasionally foiling nature's wildlife codes, our story becomes a simple yet poignant reflection on death, on its natural place in this world and, by extension, on its deeper meaning and purpose - important lessons to explore at this time when the glorious paradises offered by religions tend to feel less and less credible.

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A well-respected plastic surgeon dedicated to helping patients with severe burns questions his career, his family…his perfect life and ultimately, his sanity when an encounter with a disgruntled patient triggers a psychological spiral no one can control.

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Unfairly dismissed from his duties for trying to catch a white-collar bandit, Jean-Guy Simard leaves the tax office with one fixed idea: to get revenge by making a video on the rules of tax avoidance. From Geneva to Bermuda, his strange investigation takes the form of a Dadaist and irreverent comedy, in which he plays all the roles at once, throughout an exposé where the power of money gradually confronts him with his own demons.

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Three stories of young people unfold over the course of a year in this drama that illuminates a new generation of American Indians. The tales involve a contemplative young man, three girls who worship a sacred spirit and a found-object artist.

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A climate of civil war, a fight that has made them lose everything including their youth, four soldiers aged 13 to 20 years, will meet and build friendships. In the grip of an adult conflict, which they do not understand, Matéo, Dominique, Big Max and Kevin will keep recreating, round a pond and a cabin, a family.

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Dave, an urban aboriginal in his early twenties, is a Montreal actor. His adoption at the age of 3 has erased all memory of his Native culture. When he receives his first-ever contact with his biological mother through a photo in the mail, Dave leaves for Kinogamish, the reserve where he was born. The reunion does not unfold as expected and Dave becomes disoriented, confronted with a world that seems hostile and foreign. His unplanned return to this desolate community causes upheavals and chain reactions, while dredging up a painful past scarred by secrets and lies.

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Jean-Marc Phaneuf, an unmarried electrical engineer, travels to Burundi as a volunteer for the NGO Radio du Monde. He finds a country ruined by grinding poverty, famine, war, disease and appalling social inequality. At the same time, he meets a joyful, brave people hungry for happiness, knowledge and human dignity. The camera that becomes his personal diary also helps Jean-Marc expose the shaky, ineffective workings of NGOs. His investigations turn up a few praiseworthy examples of international cooperation, but on the whole he finds himself drawn to a terrible, inescapable conclusion: humanitarian aid is a utopian mirage. After falling victim to an attack and losing whatever ideals he still had, Jean-Marc becomes entangled in an impossible relationship. He is ultimately forced to leave Africa in disgrace.

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Threatened with prison for a hundred million dollar fraud at the expense of several small savers, Vincent Lemieux flees to the Far North where a plane awaits him which will take him to the Bahamas.

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On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

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A man visits his elderly handicapped father on Christmas Eve with the intention of putting him on trial for crimes against his family and then executing him.

Open details →

In the middle of the night, in the Québec countryside, all hell breaks loose as a black teenager is caught smashing a racially denigrating lawn ornament. Together the neighbours attend to justice against the vandal. Thorough the night there is mounting racism, fueled by alcohol, and violence. Le Nèg' opens the morning after when the police investigators arrive at the scene to take depositions.

Open details →

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The son of a French-speaking father and an English-speaking mother, Earl Tremblay is in the throes of an identity crisis. In an attempt to resolve it, he examines his past, his present and even his future through the lens of a camera. While screening the 19 rolls of film he's shot, he comments on his social ascent and unwittingly reveals his dual personality. Known by its working title, Double Face, Yes Sir! Madame... is the result of work carried out over several years.

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Native Americans clash with the Canadian government as they struggle for independence in this factual Canadian drama set in Quebec during the summer of 1990. Eddie Laroche, a rebellious native leader spawned a national crises when he and his supporters declared the independence of Aki territory in a far-flung area of northern Quebec. He refused to negotiate without the presences of television cameras to record his people's plight. Jean Fontaine was the reporter assigned to the story and much of the film is told from his viewpoint. To reach Laroche's land, negotiators, government officials, and the film crew had to travel by boat. Fontaine is initially cynical and reluctant to do the story, but after he spends time on the boat interviewing it's passengers, his cynicism has dissolves and he realizes he is faced with the presentations of a terribly complex situation. His dilemma provides a main focus for the film.

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Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.

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The Reception takes place in an isolated mansion on an island, but the host is mysteriously absent. A storm traps everyone inside, and the atmosphere turns sour when it is revealed, by way of a video, that each of the guests has a criminal past. A death ensues, and then another... the mansion quickly turns into a jail. Inspired by Agatha Christie's Ten Little Indians.

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We follow the wedding preparations of two childhood friends; the groom is a mechanic and member of the local "roller derby" team who has recently lost his father. At the church hangs a banner that reads "The Kingdom Has Come".

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In a country bar, Mario, a regular, spontaneously decides to integrate his stunt routine into the nude dancer's performance, which leads to a quasi-orgy. After things have calmmed down, Mario's girlfriend confronts him to what he considers to be his true calling: a double career as stuntman and upholsterer.

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