Mariana Ximenes

Close to turning forty and away from his job as a librarian due to depression, Marcos needs to take care of Baby, his sister's pet dog. Isolated in an apartment in the city center, Marcos relies on the support of analyst Dr. Juliana R., who sees him in therapy sessions. Together, they look for ways to deal with the grief over the death of his ex-boyfriend, Pedro, and the arrival of a new love, Gabriel. Baby, a special hairless dog of Aztec origin, will redefine his relationship with the world of the dead and the living as well.

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The story begins with the ambiguous relationship between friends Viola and Luma, who seem predestined to literally enter each other's lives. Born on the same day, in very different situations, they meet years later, united by coincidences that go beyond their birthday. From humble origins, Viola moves with her boyfriend Mavi to Angra dos Reis, where Luma lives a luxurious life and dates Rudá, who ends up meeting Viola by chance. Thus begins the duo's journey, which goes from a passion for recipes to an obsession with the same man, from the immediate connection to the point of starting to live their friend’s reality, 10 years later. A journey divided between complicity and rivalry, which includes them in a love quadrangle and is impacted by a series of circumstances, twists and surprises, such as the secret surrounding a murder.

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In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

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“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

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The film “Amores Pandêmicos” portrays the story of three couples who experience different phases of love during quarantine. As the pandemic continues, the characters are forced to seek new ways to create, love and maintain healthy mental health, which is somewhat impossible.

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A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

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For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

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Sol is a hardworking woman who has the chance to work as a backing vocalist for a funk singer and return to dancing, as she did in her youth. Torn between family pressure and passion for the stage, she must face the judgment of her church's members and conflicts with her family. The new chance will make her reconnect with her past in many ways, leading her to find her great youth love.

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When popular Carminha Frufru's party is mysteriously sabotaged, Mônica and her friends become the main suspects, and they will need to overcome their insecurities and reveal their secrets to decipher the mystery.

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Manuela is journalist in her thirties who faces love and professional crises. In an unexpected incident, she gets to know Elena, who takes her to a support group for women who love too much or are excessively jealous: the League of those who are Obsessive-Compulsive for Affection (L.O.C.A., Brazilian slang for "crazy"). The therapist seems to be an extremely mature and structured psychologist. Manuela sees this group as a chance to write an incredible article about the current female roles and wishes.

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Singing competition in which celebrities face off against one another while shrouded from head to toe in an elaborate costumes, concealing their identities.

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In 1856, the emperor Dom Pedro II lived a marriage of appearances with Teresa Cristina, with whom he was forced to marry at a young age by his parents' political alliance, having two daughters with her: Isabel and Leopoldina. He truly loves Countess Luisa, a cultured and time-ahead woman who fights for the abolitionist cause and women's rights, married to Eugenio, the emperor Napoleon's cousin. At the same time there are sisters Pilar and Dolores: the first went to a convent after her mother's death in childhood, growing up among books and dreaming of studying medicine - inspired by the story of Elizabeth Blackwell, the first doctor in the world -, while the second stayed at home to take care of her father, Colonel Eudoro, growing up repressed, illiterate and without vanity.

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In a quiet town, two boys find a woman's mutilated body. After becoming suspects at first and realizing there is a mystery behind that murder, they decide to investigate the case with the help of an enigmatic old man. When a vertiginous spiral of violence is triggered, conspiracy begins to emerge and the boys must discover the truth as soon as possible in order not to become the next victims.

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On an offshore oil rig, "Iron Island" showcases the duality of people who have their lives torn apart: wherever they are, they feel incomplete. In this scenario, Dante, the oil rig's production coordinator, is an irascible man who sees his life collapsing between the turmoil in the high seas and family dilemmas on solid ground.

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The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.

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Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

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Augusto is the chef of a fine restaurant, established for years, which is down due to the success of a former pupil, Patrick, who works in a food truck right in the square in front of the establishment. . Due to the situation, the bank, which is also a partner in the restaurant, appoints the strict Cristina to be the new manager. She immediately runs into Augusto, as she wants to change the local routine in order to make it profitable. But, amidst the pressure to create a new menu, Augusto starts to have a rare syndrome that makes him lose his taste buds.

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"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.

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