Günther Kieslich

The unsuccessful inventor Leo Bergert is the awkwardness in person: Everything he tackles goes wrong. His latest project, the development of a totally new fuel goes, clearly failed. Now he is deeply in debt, and the bank will immediately return their money. As also leaves him his Dauerverlobte and also the rich Erbtante nothing rausrückt, he sees only one way out: Suicide. But even while he proves to be a failure: All attempts to convey himself to death, miscarry. He hires a hitman to kill him. But then his situation improves suddenly, he wants to live and make the job undone. But that turns out to be not so easy.

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A couple of reporters interview married and divorced women about the reasons for their marital crisis.

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Es muss nicht immer Kaviar sein is a TV adaption of a novel of the same name by Austrian author Johannes Mario Simmel. Directed by Thomas Engel Siegfried Rauch walks in the footsteps of O. W. Fischer who played the protagonist "Thomas Lieven" already in 1961, just one year after the bestseller had been released. The series is unique for providing a little cooking show at the end of each episode. The book also includes recipes because "Thomas Lieven" is an accomplished amateur cook.

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Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.

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1964 in Berlin, not long after the raise of the wall that separated the city: ex-prisoner Bruno is chosen by the eastern secret agency to be sent west with a special order. However as soon as he's crossed the border, he reports to the police. He claims his order was to kidnap someone, but he doesn't know who yet. He's forced to continue feignedly. However the east agents don't really trust him and play a double game...

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During a high school trip, a hostel landlady stops the girls' teasing only to force herself on their teacher. A small stage play turns weird by backstage shenanigans. A vice cop tries stopping a lusty bogus priest on the beach.

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Two young men want to get into an all-girls photo studio to see the scads of beautiful young nude women inside, so they decide to pose as women themselves.

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In Part 7, the filmmakers explore what’s lacking in modern German schoolgirls.

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Peter brings his new girlfriend Anja up to C. von Ficker's (i.e. Fucker's) flat, but their tryst is repeatedly disturbed by various events in the building. To calm the jittery Anja, Peter relates a series of erotic stories to put her back in the mood.

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An antique bed relates passionate stories about various people who have made love on it throughout the decades of the 20th century. Said folks include a sweet young virgin, a sly prostitute who helps a jilted woman get revenge on her unfaithful husband, a German soldier fighting in World War II who's on leave for two hours, and a carefree modern couple.

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After two students are caught doing “extra-curricular” activities in an abandoned school classroom, they plead their case to the student council. To the headmaster’s surprise, the teen lovers expose what’s really going on in their school behind closed doors....

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Gossip columnist Joe knows the world and women. What he reveals here about the bedroom careers of his many good friends provides deep insights into the intimate lives the high society.

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Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

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A bunch of high school graduates practice love with their classmates who have a lot of experience, because they spend their free time as escort ladies and therefore earn a lot of money.

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During a salesmen meeting, the General Manager of the company asks his staff to share erotic and funny incidents during their door-to-door sales promotions.

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Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.

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German sex comedy

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The unemployed machinist Alfred "Scheff" Schefczyk moves from Württemberg to West Berlin full of hope, where he finds a job as a transporter. There, however, he despairs at the seemingly insurmountable dependency structures and the lack of solidarity among his fellow sufferers. The rent in the workers' hostel is raised disproportionately, but nobody wants to mess things up with the landlord or janitor. At work, piecework hours are tightened, but nobody wants to go on strike, and when they do, they are quickly crushed by the management's tactics. When Scheff tries to mobilize against the dismissal of one of the delegates, he finds only one worker willing to sign. "Dear mother, I'm fine," he nevertheless writes on a postcard.

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On the street, students conduct surveys on the behavior of housewives.

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Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.

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Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.

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Pseudo-documentary in the style of "Schulmädchen-Report" (Schoolgirl Report), portraying the lively activities of high-class prostitutes, pimps, and clients in various cities across Germany.

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A documentary with some fictional scenes.

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