Murray Grigor

Mackintosh Redux is a restored version of the original 1968 film Mackintosh, also directed by Murray Grigor. Mackintosh Redux was scanned to 4K from original 35mm preservation materials of the 1968 film Mackintosh held in the National Library of Scotland’s Moving Image Archive. It was then re-mastered by the Moving Image Technical and Preservation Manager, Alan Russell. Murray Grigor, the director of the original film, had Frank Spedding’s original score re-recorded by the Scottish Chamber Orchestra, conducted by Rory Boyle at the Royal Conservatoire of Scotland. Although keeping to the main framework of the 1968 film there are now a number of new shots edited in and others that were dropped; subtitles added to inform the music sections and a revised narration assessing mackintosh in the history of architecture.

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The history and development of St Andrews University, Scotland, on the occasion of its 600th anniversary, and the story of how its graduates have shaped the modern world.

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Infinite Space, a documentary feature film, traces the lifelong quest of visionary genius John Lautner to create “architecture that has no beginning and no end.” It is the story of brilliance and of a complicated life – and the most sensual architecture of the 20th century.

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All great art engages in a dialogue with the past. Architecture is no exception, as this film shows in its examination of the legacy of Sir John Soane (1753-1837), an English architect of rare genius whose influence on a generation of America's foremost architects is profound.

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Is Mise an Teanga is about Gaelic, its contemporary poets and their encounters with 100 visual artists in The Great Book of Gaelic - a Book of Kells for our time. Is Mise an Teanga is a living portrait of a language in flux

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Charles Gwathmey has held steadfast to the spirit of modernism in his architecture from the day he successfully built his parents' home in 1967 based on the theories of Le Corbusier and American individualism. Avoiding the nostalgia of fashionable postmodernism throughout the eighties, Gwathmey partnered with Robert Siegel, and their firm continues to create innovative houses, corporate, institutional and university buildings across America. This documentary ranges from the deMenil villa on the dunes of Easthampton to their Guggenheim Museum addition. We hear from such leading architects as Philip Johnson and Peter Eisenman, and from filmmaker Steven Spielberg, who describes how a journey through a Gwathmey Siegel house creates the same sense of drama as a well-made movie.

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In the twilight years of the Cultural Revolution, a Chinese filmmaker slowly becoming blind tours the country screening her last film to peasants. In it, the woman imagines two "alien" lovers walking from end-to-end along the Great Wall to join each other in the middle, one last time. This documentary is an adaptation of Ulay and Marina Abramovic's final collaborative project, the 1988 performance "The Lovers: The Great Wall Walk."

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A portrait of Edinburgh, accompanied by the Picturesque notes of Robert Louis Stevenson, 1878.

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Documentary on the work of Frank Lloyd Wright's architecture.

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Myths of tartanry exploded

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The screen legend conducts a personal tour of the great city that shaped him.

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Billy Connolly was, in the 1970s, a sort of Scottish Lenny Bruce, who, with devastating humour, sliced through the hypocrisies he perceived. This 1976 documentary follows the singer-comic during his 1975 Irish tour. Made in a cinema verité fashion, the performer appears to be completely unaware of the presence of the camera in his off-stage and backstage moments.

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A James-Bond type fiction film about an evil woman's plans to 'hi-jack' the New Town of Cumbernauld. Sponsored by Cumbernauld Development Corporation, this film is an original take on the 'promotional' films produced for Scotland's New Towns during the 1970s.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, murray grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Sequence of animations and random footage (Olympic torch lighting, rituals etc) which were "based on ideas of Hans Hollein; created for the Smithsonian's Cooper Hewitt Museum's opening exhibition: Man transForms", 1976. Nine designers worked with Hans Hollein in the "MAN TRANSFORMs" exhibition at the Cooper-Hewitt Museum of Decorative Arts and Design: Nader Ardalan, Peter Bode, Buckminster Fuller, Murray Grigor, Arata Isozaki, Richard Meier, Karl Schlamminger, Ettore Sottsass, and Oswald Ungers.

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Film depicting participation in sports for all ages and abilities in Scotland, briefly touching on the need for provision of such activities.

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A study of the works of the Scottish architect Robert Adam.

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Overview of Vorticism, a radical art movement of the early 20th Century.

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A look at the industries of Scotland.

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The North West of Scotland, seen through the eyes of a young couple taking a Spring break. Starting off in Ullapool, the film shows a fishing trip to the Summer Isles, a drive in the mailbus from Badcall bay to Glencoul, the ferry crossing at Kylesku, a ceilidh near Scourie and many landscape shots, including Suilven and Stac Polly. Also known under working title ASSYNT.

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A panorama of the Clyde, from Biggar to Brodick, with Billy Connolly as your guide. Directed by Murray Grigor for the Films of Scotland Committee.

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Artist Eduardo Paolozzi explores idiosyncratic aspects of the culture and history of Malta in this unique experimental tourist film.

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Travelling the Scottish Highlands by bus.

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An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

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The process of making refractory bricks.

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Life at Fettes College, Edinburgh.

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The life and work of the Scottish architect and artist Charles Rennie Mackintosh.

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Murray Grigor’s award-winning film on Alexander 'Greek' Thomson's architecture.

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Having become a world star thanks to James Bond, Sean Connery, who died in 2020, has never stopped trying to shed the image of a sexy and slightly brutal macho that stuck to 007. A look back at an eclectic career, carried out with panache.

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Scottish Television's film on the 40th Edinburgh International Film Festival in 1986, starring Robbie Coltrane (a former EIFF chauffeur) and featuring interviews with Bill Forsyth, Samuel Fuller and Barry Norman, among many others.

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In the twilight years of the Cultural Revolution, a Chinese filmmaker slowly becoming blind tours the country screening her last film to peasants. In it, the woman imagines two "alien" lovers walking from end-to-end along the Great Wall to join each other in the middle, one last time. This documentary is an adaptation of Ulay and Marina Abramovic's final collaborative project, the 1988 performance "The Lovers: The Great Wall Walk."

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Documentary on the work of Frank Lloyd Wright's architecture.

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The screen legend conducts a personal tour of the great city that shaped him.

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Billy Connolly was, in the 1970s, a sort of Scottish Lenny Bruce, who, with devastating humour, sliced through the hypocrisies he perceived. This 1976 documentary follows the singer-comic during his 1975 Irish tour. Made in a cinema verité fashion, the performer appears to be completely unaware of the presence of the camera in his off-stage and backstage moments.

Open details →

A panorama of the Clyde, from Biggar to Brodick, with Billy Connolly as your guide. Directed by Murray Grigor for the Films of Scotland Committee.

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