Fernando Torres

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

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Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

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In the 19th century, a country girl is seduced by a young doctor who's staying at her house for a few days, caring for her, and tries to hide the forbidden romance from her father, who disapproves of the relationship.

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The central theme of the soap opera is the struggle for political control in the interior of Bahia between the two most powerful *coronéis* (landowning bosses) of the cocoa region: Sinhô Badaró and Horácio da Silveira. Virgílio, an ambitious lawyer, is summoned to the town by Colonel Horácio but ends up becoming involved with Ester, the colonel's wife. Captain João Magalhães is a card sharp who poses as a military engineer, successfully deceiving the entire town. He falls in love with Sinhô Badaró's daughter, Donana. By the end of the story, he reveals that he had only gotten close to the Badarós out of opportunism. After numerous clashes with Sinhô Badaró, Colonel Horácio secures political power in the town of Ferradas, with the acknowledgment of the local population.

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Quinzinho and João Victor are identical twins separated at birth, unaware of each other's existence. The brothers eventually draw closer, guided by their instincts.

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Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

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Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

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After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

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Anxious to please his boss, Roberto agrees to host the chief's lover in his own home, unaware of the problems this could cause among his family.

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The real story of the failed attempt of an independence coup by a group of intellectuals and rich men during Brazil's colonial days, from its beginning to the execution of Tiradentes.

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The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

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Jerry is a tutor at an orphanage. On the first day of vacation, the boys go to the beach with Professor Teobaldo and find a skeleton and a treasure map. Word spreads and a rush for gold begins. On the one hand, Jerry and Neyde, television colleagues; on the other, the director of the station, Indalécio, and his lover Aphrodite; finally, the evil Rock Trombada, in the company of scientist Bertini and Daniel. On Treasure Island, the three camps promote mutual sabotage. After many confusions, Trombada flees with the treasure to the ship's cemetery but they are surrounded by the boys and Indalécio. It's the final war. But it is Jerry who will take the wealth in order to improve the situation at the orphanage.

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After marrying everyday man Zózimo, Engraçadinha, who had been through intense sexual experiences as a teenager, settles to live a quiet and normal life. As the years go by, her teenage daughter's behaviour seems to call back Engraçadinha's own teenage days.

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All the magic of the theatre is revealed to viewers as they follow the challenges involved in the various stages of putting on a play – from selection and reading to rehearsals and, finally, opening night before the audience.

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